• Good animated movies and shows for ages ten to one hundred and ten.

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    #2355575

    Months ago, being very fond of animated movies, I started a thread called:
    “Shaun the Sheep, etc: animated shows in Netflix to watch while self-isolating.”
    The comments in that thread can be found here:
    https://www.askwoody.com/forums/topic/shawn-the-sheep-etc-animated-shows-in-netflix-to-watch-while-self-isolating/

    But, being that thread about streaming from Netflix, while that was probably sufficient at the time, it is no longer so, as several big companies besides Netflix are also streaming animated movies and shows these days: HBO, Amazon, Disney Pus, to mention the main ones at this time that are also familiar to me. And some of their animated content is not just for kids, but includes great works of cinematography as well, of a kind that can be enjoyed, as the name of this thread indicates, for about anyone able to appreciate good movies and shows, from ten years and up, both young and old.

    HBO:

    All of Ghiblis Studio’s movies directed by Hoyao Miyazaky, Isao Takahata, and the other greats of animation working for decades at this Japanese studio that has produced, (along with Disney and Pixar), some of the greatest animated movies of all time.

    Amazon Prime:

    “Ronja, The Robber’s Daughter”, a 2014 coproduction of Ghibli and other studios, directed by Goro Miyazaki, son of Hoyao, and now available for free with an Amazon Prime subscription.

    As many of Ghibli’s movies, this series of 26 episodes of some 24 minutes each, is based on an European’s writer novel, in this case the late Swedish children’s book writer Astrid Lindgren, the creator of the Pippin Longstokings stories, among many others:

    https://en.wikipedia.org/wiki/Ronja%2C_the_Robber’s_Daughter_(TV_series)

    Ronja, the only child of a bandit chief, grows up among a clan of robbers living in a castle in the woodlands of early-Medieval Scandinavia. When Ronja grows old enough she ventures into the forest, exploring and discovering its wonders and dangers like the mystical creatures that dwell there. She learns to live in the forest through her own strength, with the occasional rescue by her parents. Ronja’s life begins to change, however, when she happens upon a boy her own age named Birk, who turns out to be the son of the rival clan chief.

    Ronja’s family (her father, the bragging and violently emotional robbers’ chief and her mother, a remarkable woman) and the members of the father’s gang, live in a large, heavily fortified castle that has been home for the chief’s family for generations of robber chiefs and their men. One night, the night when Ronja is born, there is a terrible electric storm and a lightning strike splits the castle in two, creating a wide and very deep gap later known as “Hell’s Gap” in between the now separate parts. The smaller one, and not the one with the main entrance, but accessible only by climbing a very steep cliff, comes to be occupied by the members of a rival gang, that have escaped from their own place, somewhere down in the forest, to avoid capture by the now very numerous patrols by soldiers prowling the woods, sent there by the local Sheriff that is intent in stopping the numerous combined robberies by the two rival bands. They find it very difficult to bring provisions by climbing the cliff, and when winter comes and that becomes impossible, they start to run short of food.

    The presence of these unfriendly and hungry interlopers is discovered by Ronja, who also discovers a boy of her same age called Birk, the son of the rival band’s chief. They eventually become self-declared “brother” and “sister” after both make at first an uneasy alliance that grows deeper, as helping each other through various difficulties they become closer, and saving each other’s lives more than once helps too. Finally, circumstances make it difficult for both to continue living with their families and they run away, to live in a cave on a hill above the forest. As spring comes and then summer, they are happy this way, but with autumn and the approach of winter, for all they would like to ignore this fact, things come relentlessly nearer to a probably painful death from cold and starvation for both. There is a happy ending, but one has to keep watching to earn it.

    This a slow-to-develop story and the series has been given demerits by some movie critics for this reason, but this is, I believe, because those critics simple have missed the real point of it.

    What is this series point then?
    This show is, as I see it, a profound mediation on childhood, where time is not measured in minutes or hours or days, but in events that reveal, now and then, here and there, the wider world and the inner self to the budding person. And, beyond the mystery that is to be a child, are the bigger mysteries of ordinary human life and in it, of love and of death. All of which come to play their roles, in their own good time, in the story that is much more meaningful and deeper than it seems. There is adventure both in the doings of the highwaymen’s band, who all live in a castle keep high in the hills overlooking a forest populated by wild life as wonderfully depicted as is varied, wild horses in particular, as well as mythical beings, either indifferent or inimical to humans. Among the latter, the wild harpies, part bird of pray and part women with beautiful, scary faces and cries as sharp and cruel as their talons.
    The animation is flawless, the images of the forest are classical Ghibli, and that means they are beautifully imagined and rendered: a feast for the eyes. And the main characters are fully realized, credible as people, and the scenes of their daily lives in those now so very distant years, recognizable still because these are things people have always done, are presented in a completely natural way: they ring true in their smallest detail.

    Here is a trailer:

    https://www.youtube.com/watch?v=7IuQs_Fl-dE&

    And here an extended clip that is a good sample of how the forest and its natural and supernatural beings are depicted:

    https://www.youtube.com/watch?v=lWRcul0hHX0&ab_channel=Wizz

    I hope you can watch the 26 episodes of this series and like them.

    Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2355776

      MODS: I came back to add another suggestion and realised I wasn’t logged in. Please feel free to delete the above anonymous post.

      I hope that you don’t mind me making a few suggestions?

      Creature Comforts

      This is another Aardman show and is free on Youtube, at least in the UK. It features interviews with members of the British public set to the animation of various animals. I genius idea, and good for all ages.

      https://www.youtube.com/playlist?list=PLoEqUqtKxE7Uu-AWbSAXr1LygNg7XQAzZ

      Avatar: The Last Airbender

      A 61 episode animation available in the US and UK both on Netflix and Amazon. A really thrilling adventure show from the 00s featuring a cast of brilliant characters in an alternate unverse where people can bend the elements to their will.

      Fullmetal Alchemist: Brotherhood

      A 64 episode animation available in the US and UK on Netflix. Similar to Avatar, but darker. Some really great characters though. I wouldn’t show it to a 10 year old, however, as there are some dark parts. I recommend the subtitled version, but the dub is acceptable. Just make sure that you watch ‘Fullmetal Alchemist: Brotherhood’ and not ‘Fullmetal Alchemist’, which was a short-lived, incomplete and inferior attempt to animate the manga it’s based on 6 years prior.

      Anohana: The Flower We Saw That Day

      If you don’t mind subtitles, this is an 11 episode anime available in the US and UK on Netflix. A sad but beautiful exploration of loss among a group of childhood friends. That sounds very morbid, and it’s certainly a work specifically for adults, but it really is quite brilliant. I am not embarassed to say that it made me cry! If you enjoy this, feel free to post asking for more anime suggestions.

      Other great western movies inclide:

      • Up (Pixar)
      • WALL-E (Pixar)
      • Coco (Pixar)
      • Paddington & Paddington 2
      • The Lego Movie

      Other great Japanese movies include:

      • Your Name
      • A Silent Voice
      • And of course, almost anything made by Studio Ghibli, which you mentioned in your last post but it can’t be said enough!
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    • #2355807

      Sky: Now that you mentioned “Avatar: The Last Airbender”, there is another series, in Netflix, written also by Aaron Ehasz (*), called “The Dragon Prince.” It is very worth watching. And the time since  “Airbender” was made has not passed in vain, because the quality of the pictures, in my opinion, is even better. The story, of course, is outstanding. People have commented negatively about the Scottish accent of a central character named Ryla, a Moon elf and an assassin by training, just not very effective at it in her first mission to kill a whole bunch of people, as part of a group of assassin elves like her. Fortunately, because otherwise this would have been a very short series. But, assassin or not, she is a charming and interesting character; the voice artist who does her part is an American, not a Scott, but her parents come from the land of haggis. I just mention this, so people are prepared for it.

      There is also in this series a very interesting villain with a complex personality, which makes things more interesting for us grown ups, I wold expect. He is someone that started doing his best to help his friend, a King, and in this way once helped save the whole kingdom from famine, using his knowledge of black magic. But when he believes that a war between humans and elves is coming and coming fast, he tries hard to impose his will on everyone that opposes his attempts to prepare for this war. And that way, driven by his good intentions, he setups up a moral trap without escape for himself and then falls in it with both feet first. Not bad, for a story with elves and magicians in it!

      There are a total of six seasons planned, three already are out, so these can be streamed any time by those with a Netflix subscription. The seasons are named each after one  six mythical elements, so far: Moon, Sky and Sun. The forth season is already very delayed, mainly because of the limitations imposed on just about everything by the impossibility of doing many things that normally are easy to get them over with quickly, just with several people getting together. But, sadly enough, not so much these days.

      https://en.wikipedia.org/wiki/The_Dragon_Prince

      And since you mentioned “Your Name”, by Makoto Shinkai, I wonder if you have seen “Children that Chase Lost Voices from Deep Below” and “The Garden of Words”, also by him. These are worth watching too.

      (*) And of “Futurama” eternal and glorious fame.

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2355824

      “Millennium Actress”, one of the great anime movies, directed by the late Satoshi Kon, is discussed while showing scenes of this work in this video:

      https://www.youtube.com/watch?v=MIyGiJE5fbs

      One can also stream “Paprika” from Amazon. This is a trailer of this marvelously surreal, beautifully drawn movie  :

      https://www.youtube.com/watch?v=SBrUhQ0_qYA

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2355826

      The Flower We Saw That Day

      If you don’t mind subtitles, this is an 11 episode anime available in the US and UK on Netflix.

      There is a 2015 movie too : https://www.imdb.com/title/tt4990696/

      One of my favorites is : Big Hero 6 (2014). made into a series in 2017
      now on season 3.

      • This reply was modified 4 years ago by Alex5723.
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    • #2355977

      The Dragon Prince

      My other half has been trying to get me to watch this, so I definitely am going to, but I’m probably going to wait until the show concludes. I even held out for the conclusion of Game of Thrones before binging it, so I have patience!

      “Children that Chase Lost Voices from Deep Below” and “The Garden of Words”

      I’ve not seen the former, but I’ve seen The Garden of Words and enjoyed it. It’s very reflective and slow paced and I like that style. “The Great Passage” on Amazon is quite a similar vibe, if you’ve ever seen that?

      And of “Futurama” eternal and glorious fame.

      Here here!

      Satoshi Kon

      I’m ashamed to say that I’ve never seen any of his works. They’ve just never been available in the UK as far as I’m aware, and the DVDs are even hard to come by, at least they were a few years ago anyway.

      The Flower We Saw That Day

      There is a 2015 movie too

      There is, although it’s more of a recap as I recall. My message to anyone planning to watch it is definitely to watch the series first, and not to worry if you don’t have access to the film, as it isn’t required.

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      • #2355983

        Sky,

        There is no need to wait another three years to watch “The Dragon Prince” in its entirety: the end of the last season now available (the 3rd one) brings to a satisfactory ending all that went on before without leaving any loose ends, so its season finale could have been very well the end of this show. Except for a brief final scene where the possibility of a continuation to the story is hinted at. Trust me:your other half shall be well-pleased if you do.

        And thanks for suggesting “The Great Passage.”

        Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

        MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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        Sky
    • #2355978

      Newly remastered copies of the movies of Kon are now available on Blue Ray and DVD:

      https://www.awn.com/news/satoshi-kons-millennium-actress-now-available-blu-ray-and-digital

      Although where to find them:

      https://www.amazon.com/Tokyo-Godfathers-Blu-ray-Toru-Emori/dp/B086G2ZCN4

      (Besides “Godfathers”, Kon’s other movies are also there, in “people who bought this often also bought these”, right below it.)

      Also one can stream Paprika from the Amazon Prime collection, buying it for a small price that I think is worth paying to see this most original, wildly imaginative and beautiful movie.

      And here there is a sample of excellent animation movies for people of all ages to enjoy singly or together, if they can and so choose:

      https://www.cbr.com/best-gkids-films-tokyo-godfathers-song-of-the-sea/

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

      MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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    • #2355994

      That’s good to hear about “The Dragon Prince”. I will make a note to watch it when I get the chance, then.

      You’re welcome about “The Great Passage”. It’s a very relaxing and sweet show. If you enjoy books and words at all, I suspect that you will like it.

      As for the works of Satoshi Kon, I’m afraid that the new DVDs aren’t available in the UK yet, nor are his films available to buy on streaming services, but I will look out for them. There are DVDs available from 2018, though, which is new.

      By the way, you mentioned Ghibli before; have you seen The Castle of Cagliostro? That’s an early Miyazaki film that is easy to overlook, but it’s quite similar to some of the early Miyazaki Ghibli films such as Laputa and Porco Rosso.

    • #2356003

      Yes, I have seen “Cagliostro”, a movie made by then young Miyazaki working, at the time, for Hatanaka, before they together founded Studio Ghibli, so it is not included in the HOB-Netflix deal and it is still available from the latter, at least here in the USA. Besides this one, I have the DVDs of every single Ghibli movie.

      Now that I am here, I am going to bring attention to the marvelous animation work at Studio Laika, in the USA, one of two major users of a very demanding animation technique where the sequence of images is not drawn but modeled in tree dimensions using tiny, flexible dolls of the characters made either of plastic (Laika) or plasticine (Aardman; I have already mentioned this UK studio’s work (the “Shawn the Sheep”and “Wallace and Gromit” etc. both shorts and full-feature length movies, in the preceding thread with a link at the very beginning of this one). In this particularly laborious but very impresionistic form of animation, the dolls are positioned in a certain attitude that is photographed and then changed slightly, photographed again, then changing again a little the posture and so on. When stringed together in a film and shown with a movie projector, they give the intended impression of movement.

      One I particularly like is “Coraline”:

      https://www.youtube.com/watch?v=koInAsdH8WA

      Another is their latest, “Missing Link”:

      https://www.youtube.com/watch?v=7UalKq-DSXI

      From a different studio, Disney,and using conventional computer-aided animation, I also want to mention another favorite of mine, “Zootopia”:

      https://www.youtube.com/watch?v=ujncmH8YnNc

      I could keep adding other movies worth seeing, for example the movies of Pixar. But that is for another day.

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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      Sky
      • #2356124

        I’m glad that you’ve seen Cagliostro, it’s easy to miss as it’s not generally included in Studio Ghibli collections, unlike the other pre-Ghibli film Nausicaä of the Valley of the Wind (an interesting fact about Nausicaä: Hideaki Anno of Neon Genesis Evangelion fame animated the giant warrior). I’ve been building a Studio Ghibli DVD collection myself over the years, but I have not completed it yet. I’ve seen all of them other than the last few, though. What’s your favourite Studio Ghibli film, out of interest?

        On the subject of Aardman, I mentioned Creature Comforts earlier, which I adore, but there is also Chicken Run, which is also worth a watch.

        Zootopia is another excellent film, I agree. It’s Disney’s best since the Disney Renaissance, in my opinion. That said, I don’t think that it quite reaches the heights of Pixar’s best works (see my first post for my favourites).

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        • #2356157

          My favorite is “Princess Mononoke”, followed by “The Tale of Princess Kaguya”, “The Journey of Chihiro”, “Castle in the Sky”, and “Porco Rosso.” Then I am fond of two “minor Ghibli” movies: “Up from Poppy Hill” (directed by Goro Miyazaki) and “When Marney Was There.” And, what can I say? I’m an old sentimental fellow: “Murmur of the Heart” (because I also like Neil Diamond and young people with high ambitions). I am leaving some, not because they are inferior, but because I am answering Sky’s question.

          And there is one I have the DVD, but is not available for streaming: Takahata’s masterpiece “The Grave of the Fireflies.” Probably the saddest great movie since “Bicycle Thieves.”

          Here is a really nice composite of scenes from Porco Rosso with “Le Temps des Cerises” playing throughout:

          https://www.youtube.com/watch?v=JNIoyx4F-Ug

          And the final titles’ song with scenes of the movie for background:

          https://www.youtube.com/watch?v=RpxXeNakyfY

          Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

          MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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          Sky
          • #2356162

            And also this scene, from “Porco Rosso”:

             

            Les-temps-des-cerices

            That’s when a genius took a simple, much repeated stock movie scene, and made it into something magical and unforgettable.

            Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

            MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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            • This reply was modified 3 years, 12 months ago by OscarCP.
            • This reply was modified 3 years, 12 months ago by OscarCP.
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            Sky
    • #2356152

      Now, a word about one of the best illustrated animated children (*) TV shows of this century:

      Samurai Jack:

      https://www.youtube.com/watch?v=ASlVt_YJd10

      Created by Genndy Tartakovsky,  4 seasons, 2001-2004:

      https://en.wikipedia.org/wiki/Samurai_Jack

      These days, available into its entirety in HBO Plus, free to subscribers.

      (*) Or anyone who likes stylish graphic design and 20 minutes of weird/silly/scary/funny 20 minutes episodes.

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

      MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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    • #2356168

      And before I forget again: Ghibli’s “Kiki’s Delivery Service” is an inexpressibly enchanting, truly big-hearted movie good to watch when real life does not look like much.

      And “My Friend Totoro” is, among other things, one of the best studies of young children, how they behave, act  and react to the ever puzzling world they are out to discover, that I have ever seen.

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

      MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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      Sky
    • #2356201

      Don’t let anyone from West Virginia hear you mistaking the writer of Country Roads! Or did Neil Diamond do a cover?

      My favourite Studio Ghibli film is the same as yours: Princess Mononoke. I like almost all of the others you mentioned too, though. I agree with you about Totoro: Miyazaki’s portrayal of children in that and all of his other films is just spot on. It helps that all of the Totoros and other creatures are enchanting, too, of course! But yes, on his portrayal of children, it’s really just an extension of his observation of everything, I think. I’m reminded of a simple scene in Spirited Away where Chihiro/Sen puts on her shoes (if you know the scene?) and it’s animated in such a realistic way that you just don’t get anywhere else. His power of observation and attention to detail really brings the films to life to an unparalleled extent, and his adding of ‘unnecessary’ detail brings magic to everything.

      The one film I will have to disagree with you and every review I’ve ever read of it is Grave of the Fireflies. I just couldn’t get past the dislikable character of the young man. It really ruined it for me, I’m afraid. It is incredibly sad, though, and I have no desire to ever watch it again.

      One film that I’d like to bring up that you didn’t mention, though, is Only Yesterday. It’s honestly vying for my favourite Studio Ghibli film with Princess Mononoke. I know that it has received criticism because nothing much actually happens in it, but not every film has to be action-packed. One of the wonderful things about Miyazaki’s work is the ‘Ma’ (the negative space, the pauses) that he uses, so why not give Takahata credit for it too? But anyway, the two halves of the film just overwhelm me with nostalgia for my childhood and the countryside respectively because of the realistic way that they are portrayed. We have both talked about Miyazaki’s portrayal of children, but Takahata’s is equally observant. The film makes me think of how I reflect on my past and that makes me grow, just as doing so does for Taeko, so really it portrayals both adults and children very observantly. It’s a bit of a cliche to say that a character ‘grew’ in a film, but Taeko really does, yet she does so simply by reflecting on her past, not by facing trials. I think that’s just wonderful. I also love the unique animation style, it brings so much character to everyone.

      • #2356230

        Sky: My own appreciation of “Only Yesterday”is rather muted. I think that women would get more out of it, because it may require a different kind of basic experiences and sensibility from mine. I have never been haunted by memories of my school days. I am one with Joss Whedon in this, whose guiding idea in making “Buffy the Vampire Slayer” was that “High School is Hell”, so he put Buffy Summers in a school built right above one of the mouths of Hell.

        Another of Takahata’s movies I like is “My Neighbors the Yamadas.” Interesting how the day to day lives of common Japanese people have a universal resonance: the part where they go shopping with the children and forget one in a department  store. Or when they argue about which fruit is the Queen of Fruits (everyone except one of the children agrees it is the banana.) Or when the father confronts a group of bulling bikers that had decided to occupy part of a street near his house and are making a big racket there. He is really scared, tries to be extra nice asking them to keep quiet, does not succeed, so what then?

        As to memories of the countryside, well, I spent some long summer vacations in the station of an aunt of mine where, with my cousins and some of the young station hands, we would ride horses through prairie and bush, help drive cattle and sheep to various places and then go for swims, or to fish, in the creeks and rivers around there. I liked to play a sort of Incas flute called a quena (kenah), and one late evening I had for audience some ten cows forming a semicircle, facing me at a respectful distance. But I am basically a city person.

        Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

        MacBook Pro circa mid-2015, 15" display, with 16GB 1600 GHz DDR3 RAM, 1 TB SSD, a Haswell architecture Intel CPU with 4 Cores and 8 Threads model i7-4870HQ @ 2.50GHz.
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    • #2356224

      There is a documentary (*) about Ghibli, how they did  things there and in particular about the working methods, habits and personalities of the three leaders: Hayao Miyazaki, Isao Takahata (the lead artists and founders of the studio) and Toshio Suzuki (the money man) called “Kingdom of Dreams and Madness.” It was made in 2013, towards the end of the days of Ghibli when all the three were still together, working simultaneously on “The Wind Rises” and “Princess Kaguya.” Takahata died a few years later and Miyazaki was soon to enter his longest retirement so far — now is back working on yet another movie, provisionally titled “How do You Live?”

      In this documentary, I think it is, Suzuki tells a little story about Miyazaki where the point is his intense attention to detail: Once he saw him spend hours sitting on a bench in a street where many people went by the whole day long. What was he doing? He was watching women. What in particular about them? How their clothes moved when they walked.

      “The Grave of the Fireflies” was based on a short story written by someone that had a somewhat similar experience, at the end of the war, as the boy Seito in the movie and also had a sister die of starvation. It is considered to be one of the greatest war movies ever made. I would put it along “The Grand Illusion”, “Rome Open City”, “Das Boot”, “Downfall” and “All Quiet in the Western Front.” The ending, when Seito imagines his dead little sister playing along the banks of a pond, is one of the most emotionally wrenching scenes I have ever watched.

      That was the first of Takahata’s full-feature movies. His last, when he was already eighty years old, was “The Tale of Princess Kaguya”, a highly poetic and at times very dramatic retelling of an old Japanese  fairy tale. It is also one of my favorite movies.

      Miyazaki and Takahata are among the  great Japanese film makers, alongside the likes of Kurosawa and Ozu.

      Also, my sincerest apologies to John Denver.

      (*) Available for streaming in HBO.

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    • #2356327

      One more thing about the animation film “The Grave of the Fireflies” and why it is in “the greatest war movies” category:

      Those are not the movies that do glorify war, or show courageous deeds being performed by heroic soldiers and, often, also by civilians, with plenty of action, interesting lethal weaponry and plenty of Bang! Crash! Boom!

      Great war movies are those so mercilessly realistic that put people off the very idea of war. And Takahata’s masterpiece, therefore, fully qualifies to be one of those.

      I would not recommend it for being watched by anyone younger than 12. Which is about the right age to start learning not to believe nor follow those that are always pushing for another one — quite often for one where they are not likely to find themselves in harm’s way if they succeed and get their wish.

      As a point of perhaps some interest: I am not a pacifist, because I believe that defending one’s nation by force of arms against a blatant attack is not inherently dishonorable. But one always must be very careful about what being under such an ‘attack’ means in any given case. And an important question to ask oneself is: “if this comes to pass, am I likely to be fighting in it?” If the answer is ‘not likely’, I, at least, would not be pushing hard for it to get started.

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    • #2356425

      On Only Yesterday:
      Well, I am a man too and it really hit home for me, so I can confirm from my sample size of one, at least, that you don’t have to be a woman to enjoy it! It is quite a feminine film, though, I suppose: no action or changes coming about through effort here, just reflection on the past and growing as a person from that. That all said, I do think that you do have to have an appreciation of the countryside to enjoy it. I am very much a country person and it’s where I grew up, so the idea of escaping the city and going to the countryside appeals to me.

      On The Kingdom of Dreams and Madness:
      Yes, I have seen that documentary, it was a very interesting watch. I think that Miyazaki would get arrested if he did that observation today though! There’s another documentary, included with the latest Only Yesterday release, charting the creation of that film, and it’s well worth a watch as well if you haven’t seen it. It shows, among many other things, how they took the unusual step of recording the lines first and then copied the actual faces of the voice actors as they spoke to draw the characters, which is how they achieved that unique art style.

      On Grave of the Fireflies:
      I agree with your last post completely with how it’s very much a ‘great war movie’, despite focusing on civilians, because of the relentless realism. I can certainly appreciate it, and it did get to me as it intended to, which is why I have no desire to ever watch it again. That said, I felt strongly and still do that it would have been much better if the consequences that happen to the main characters came about solely because of their helplessness rather than partially because of the stubbornness and immaturity of the the young man. That’s what disappointed me about the film.

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    • #2356445

      Amazon’s new Invincible (adult) is really good.

      IMDB :

      “Mark Grayson is a normal teenager, except for the fact that his father, Nolan, is the most powerful superhero on the planet. Shortly after his seventeenth birthday, Mark begins to develop powers of his own and enters into his father’s tutelage”

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    • #2356450

      Sky wrote about Isao Takahata’s  Ghibli animation movie “The Grave of the Fireflies”:

      ” … I felt strongly and still do that it would have been much better if the consequences that happen to the main characters came about solely because of their helplessness rather than partially because of the stubbornness and immaturity of the the young man. That’s what disappointed me about the film.

      Well, let me be the devil’s advocate here for a moment and argue his case thus:

      “Downfall” is generally considered to be also a great war movie. It is about what (more or less) happened at the Berlin Führerbunker when the end of the Third Reich was rolling in from the East, brought along by General Zhukov and his troops, including many traveling inside nice and even shiny, if noisy, Russian tanks, along with the usual frequent aerial bombardments, regular long-range cannon shellings and the not all that impossible irruption of General Montgomery and his troops from the West at any time. Now, it would be a stretch to say that the people piled up inside the bunker the movie is about, including the Führer himself, his dogs, the Goebbels and their many children, his girlfriend — except for the naïve young woman that was his brand-new personal secretary and the one who, in real life, was the actual witness of much of what was shown in the movie — that practically all of those there (but not the people at the very top already mentioned) who were trying very hard to have a good time regardless of the bad weather outside, so to speak, were exactly very nice, smart and mature or at least endearing people. And things did not go well for them. By the end of the movie, in fact, things were going horrendously bad for almost the whole lot of them, except those that, later on, ended up hanging by the neck after the Nuremberg trials, or escaped such fate in different ways (the young secretary managed to get away when the bunker was finally abandoned, walked through a crowd of Soviet soldiers without being stopped, and went on to live to a ripe old age).

      But it is a great war movie, nevertheless, and I was left quite satisfied after watching it once, which was quite enough for me.

      Another thing about this movie, is that people have been having fun for years and years subtitling in English (those samples I have seen, at least) the impassionate speeches Hitler was making to the very few people who had to hang around to listen to him anymore. Those subtitles are not really very faithful translations. But they are popular all the same. As is Quentin Tarantino’s movie about the decapitation of the 3rd Reich by Movie Theatre Performance. Or more precisely, Quentin’s alternate-history version of the end of all that.

      Now, what could be even more fun that watching those scenes so subtitled? Well, I think that would be watching  LAIKA Studio’s “Missing Link” (that I have already recommended here) or else any of the Wallace and Gromit movies, be it one of the shorter, or one of the longer ones.

      More recommendations of movies like these (not war ones, please) are enthusiastically welcome.

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    • #2356509

      I wrote: “In this documentary, I think it is, Suzuki tells a little story about Miyazaki where the point is his intense attention to detail: Once he saw him spend hours sitting on a bench in a street where many people went by the whole day long. What was he doing? He was watching women. What in particular about them? How their clothes moved when they walked.

      Sky commented among other things about that: “I think that Miyazaki would get arrested if he did that observation today though!

      Well, Suzuki did not say that the was doing more than sitting on a bench and watching or that Miyazki mentioned that he was doing anything different. So there is no evidence that he was also touching, cracking wise, wolf-whistling, cat-calling, or doing anything else that could be actionable by the police. Looking, not touching, and doing it quietly and not in any obvious way, that is fine. If it were not, the human race would be doomed.

      By the way, has anyone here watched any of these animation movies by Wes Anderson (of  “The Grand Budapest Hotel” and “The Royal Tenenbaums” fame, among many other live-action classics) “Fantastic Mr. Fox”, “Isle of Dogs?” In my opinion, every second of these two is worth watching. And fun too.

      Here is a video showing how “Isle of Dogs” was made (as is stop-action animation made, regardless of the specific technique used)

      https://www.youtube.com/watch?v=dzibT_SjeoM

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      Sky
      • #2356518

        And this other video of how the “sushi” sequence of “Isle of Dogs”, a single scene that took six months to get done, was made:

        https://www.youtube.com/watch?v=RSKK–p2Nrs

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    • #2356621

      On Grave of the Fireflies:
      I get what you’re saying about Downfall, but I don’t think that you can compare it, because while the characters in both films are in the midst of a war, we’re not meant to feel sympathy for the characters in Downfall, whereas we are meant to feel sympathy for the characters in Grave of the Fireflies. I feel like the point of Grave of the Fireflies is to show the consequences of war on a civilian population, the suffering they have to endure as a result, yes? Given that, making the suffering of the main two characters in it come about partly because of the actions of one of them and not solely because of the war I feel distracts from that message of the brutality of war on a civilian population. It’s still a very moving and harrowing film, though, and I don’t dispute its place among the great war films.

    • #2356718

      Sky, I get you point, but what I am arguing here is this: Seito was deluded in believing that the war was going to end well for Japan, that what was going on was a temporary reversal of fortune (besides, news of what was happening were strictly censored by the military dictatorship) and his father, a high-raking Navy officer, was going to be back any time soon. So himself and his sister were going to be all reunited once more with their father, safe and sound. Had he known otherwise, he might not had taken off, enduring instead as much as they had to in the hands of their abusive and selfish relatives. Besides, he was a proud person, proud of being the son of an important officer in the Imperial Navy and, therefore, not someone to be long on his knees, taking whatever abuse was dished out to him.

      And if Seito, foolishly but, in my opinion, also understandingly, had not left their relatives taking with him his little sister that believed he could do no wrong, Takahata could not have shown the larger situation and the movie had been more limited in scope, showing mostly Seito as a sort of particularly unfortunate Cinderella and the war only through its consequences to the sheltered protagonists. Besides, he is told later, in no uncertain words, not to be such a fool and go back and live with his obnoxious family, if he wanted himself and his sister not to die. But he was convinced the bad situation they were in was going to end shortly and well, so the two of them could survive by fishing and scrounging, while being free to do as they pleased, away from their nasty relatives.

      Finally, the movie is based on a short semi-autobiographical story written by someone who had acted more or less like Seito but literally lived to tell the tale, and wrote the story as a sort of pained ‘mea culpa.’

      The special importance of this movie in film history, is that it showed, pretty much for the first time in a such a blindingly clear way, that animation movies can be much more than something for weekend TV, something nice for the kiddies to watch and that keeps them in one place, so they don’t get underfoot. That was the one thing that has impressed me most about it.

      Want to hear about one more great war movie? “Zulu.”

      It is based on something that actually happened during the Zulu Wars. A small detachment of British soldiers defending a mission station, a critical location from a military point of view, and its inhabitants, as well as themselves, at a place called Rorke’s Drift, after two days of indecisive fighting win a final pitched battle, causing extraordinary carnage by disciplined firing by ranks with their Martini-Enfield rifles against living wave after living wave of Zulu warriors charging against them, protected only with leather shields, and the confrontation is over. So everyone on the British side seems happy, relieved, as well as clearly exhausted, But the junior officer of the unit and his commanding officer are not taking part in the subdued celebrations. The CO asks the junior officer (played by a very young Michael Caine) how is he feeling. And the Caine character answers, after a pause: “Shame. I feel ashamed. Is this always this way?” And the CO tells him that this is so. And that is why Zulu is not just a very good movie (which it is) but also a great war movie. And, I think, consequently, also a controversial one.

      https://en.wikipedia.org/wiki/Zulu_(1964_film)

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    • #2356915

      You make a very good point about his delusion. I hadn’t considered that. Perhaps it could have been made a bit clearer, or perhaps I’m at fault for not noticing it. Either way, it’s a good point.

      I wouldn’t describe myself as a big fan of war movies, but I watched a lot of them when I was growing up, as they showed them on TV regularly. A lot of American ones, but mainly all of the 50s and 60s British-made movies made back when my country still had a film industry of note. This includes Zulu, so I have seen it, but also includes great movies such as Bridge on the River Kwai, Lawrence of Arabia, Where Eagles Dare, The Heroes of Telemark, The Dam Busters, etc. We produced a lot of war films back then! I suppose it was a time when my country was even more obsessed with WW2 and empire than it is now! But yes, Zulu is definitely the best of the bunch, since it’s not just a glorification of war, although that does make it a harder watch.

    • #2357154

      Well, now that Sky and I are in agreement over war movies, it is time for something else.

      So here is a big shout out for Brad Bird, the author of some of the funniest and most interesting animated movies since the turn of the century: “The Iron Giant”, “Ratatouille”, “The Incredibles.” (*)”Incredibles II” (streaming from Netflix) and, on the live-action side: “Mission Impossible Ghost Protocol” (with Tom Cruise hanging on and jumping around near the top of the highest building in the World, while OUTSIDE of it) and the underappreciated but, in my opinion, absolutely wonderful “Tomorrowland” (streaming from Amazon):

      https://en.wikipedia.org/wiki/Brad_Bird

      (*) And the voice of Edna Mode.

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    • #2359360

      Among other commentary here:

      https://www.amazon.com/gp/video/detail/B08DK1W2WV/ref=atv_wl_hom_c_unkc_1_1

      I wish I could give this show 100 stars. My kids started watching it as it was advertised as being a children’s program. At first I didn’t pay much attention, but Ronja’s story sucked me in and I ended up watching the entire show with my kids, absolutely riveted. The subject matter is not children’s subject matter. This show deals with death, near-misses with death, and suicidal ideation (the episode “Life Isn’t To Be Thrown Away”). Yet it’s done in such a subtle manner that my kids did not pick up on it or were not disturbed. I feel that my kids probably don’t comprehend the show and so I don’t really know why they like it, but I’m so glad they found it. One of my favorite shows of all time. I should mention that I don’t like sad shows, so even though this one deals with adult subject matter as I described, each episode closes in an uplifting manner, not a dark one. Listen for the lullaby the mother sings to Ronja about a wild wolf prowling about; it is chilling!

      That was written by someone who reviewed for Amazon “Ronja, the Robber’s Daughter” after streaming it from there. Based on the children’s book of the same name by Astrid Lindgren, this is a 2014 Ghibli animated series directed by Goro Miyazaki, the son of the famous anime creator that, along with Takahata and Suzuki, was one of the three founders of the Studio. The story is supposed to happen in the early Middle Ages in Scandinavia, in a forest inhabited by magical creatures, not all of them well-disposed towards humans. I am copying that review here, because it expresses my own feelings about this show almost perfectly.

      Essentially, it is a Romeo and Juliet story that ends well; certainly better than the original. Besides what has been mentioned by that reviewer, it is also a story about love and hate, friendship and enmity, understandings and misunderstandings — and their consequences — about growing up and discovering a larger world outside and inside oneself, and, yes, also about life and death.

      Particularly “not really for kids, but OK for them to watch” are the passages where one of the two main characters pretends that the summer they have enjoyed so much together, Ronja and himself, will never end. They have been living very happily during it, all alone in a cave up a high hill, after running away from their families and their irreconcilably enmities, and he believes that there is no going back for him, and his only choice is to stay in the cave alone, because, of course, Ronja must go back home and live, while he must stay there and  freeze to death when winter finally arrives. So, after insisting they should not worry about winter while they are still in full summer, he starts remarking about how cold and windy is the summer (actually already early autumn). While this is disturbing, there is also an earlier, very dramatic episode that I find most remarkable, when both are in a river near some very high falls, letting themselves be driven towards them by the strong current in a thrill-seeking stunt, and as the time finally comes for them to swim to shore and safety, they are attacked by a flock of mystical beings: harpies, part women and part large birds that like to feed on human flesh. So they have no better choice for the moment than to stay in the water, hidden by some floating tree branches they manage to get hold of, while the same water is taking them closer and closer to their likely death in the waterfall. The sound of it is already so loud they cannot hear each other, but they speak to each other all the same and understand one another while saying, as the occasional narrator mentions in voiceover, “the things that have to be said before it is no longer possible to say them.” What they are saying to each other is their mutual declaration of love at the point of their imminent death. This scene has been treated by Ghibli in a way that I find truly moving, and I think that not to be moved by it enough to have one’s eyes grow a little moist would be the same as not being moved in this way by the last scene of “Elvira Madigan”, the end of Fellini’s “La Strada”, or that of “Romeo and Juliet” itself. Because it is that kind of animated show. Even if it is one that ends well, because it is “for kids.” And that is one more among Ghiblis’ distinct and distinguished creations.

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    • #2364066

      Time to update this thread with some news of interest:

      Netflix and Amazon, at least in the US, now have now available for streaming more that they used to have from the Studio Aardman’s Bristol geniuses of stop animation (the particular form known as “claymation”) of “Shawn the Sheep” and of “Wallace and Gromit”, about a genius inventor, but otherwise without much to say, except to ask for “Cheese!”, and his often put out by him clever dog that saves the day. Amazon has all the medium-length features of “Wallace and Gromit.” Netflix now has some of the full-feature “Shawn” movies and something really remarkable is now showing in Apple TV+ .

      Netflix:

      “Shaun the Sheep” first two seasons

      “Shaun the Sheep Adventures from Mossy Bottom” 1 season.

      “A Shaun the Sheep Movie Farmaggedon.”

      Amazon:

      “Shaun”: “The Farmer Llamas” Season 1 and and also “Shaun the Sheep” Season 1.

      “A Grand Day Out”

      “The Wrong Trousers”

      “A close Shave”

      “A Matter of Loaf and Death”

      Tomm Moore, the Irish animation creator of beautifully drawn and scripted movies such as “The Book of Kells” and “Song of the Sea”, based on Irish ancient myths, has one new movie in Apple TV+ called “Wolfwalkers”

      Trailer:

      A clip:https://www.youtube.com/watch?v=8HSIgYeVqZ8

      And a clip:

      https://www.youtube.com/watch?v=d_Z_tybgPgg

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    • #2366829

      Carmen Sandiego, Netflix, 4 seasons, finished in 2020:

      In this, its last incarnation, “Carmen Sandiego” has been four seasons of highly stylish, deliciously rendered, cleverly scripted, with a deadpan wit that is highly addictive, entertainment.

      https://www.youtube.com/watch?v=6Kru8zkqB0w

      https://www.youtube.com/watch?v=aT39SojkYRc

      She is a foundling adopted by a mysterious criminal organization that, in a remote semi-tropical island, run an academy for thieves, where she grows up and learns all the tricks and skills of a top-flight international thief. But later, when she realizes that “stealing hurts people”, and having adopted as a disguise when running away from the island and the academy, the pseudo name and traditional red clothes and hat of the several previous Carmen Sandiego shows’ leading character, this current incarnation of the famous thief instead of going on being cleverly wicked, turns against the organization and dedicates herself to steal from the thieves that were her former classmates and return the stolen items to their legitimate owners: museums, charities, universities, etc. And she does this while being pursued by them and also, first by Interpol and then by a mysterious international law enforcement agency, in particular by a pair of their agents that begin working for the first and then are recruited by and work for the second, one of the pair a quiet and clever young woman, and her lead partner, a bumbling French detective who thinks very highly of himself and is dismissive of her brilliant suggestions.

      As it is a tradition of “Carmen Sandiego” shows, there is one or two geography lessons, this time perfunctory, but still sometimes interesting, that also help to set the scene for the episode’s “caper.” For example, in an episode in Helsinki, Iceland, the “lesson” informs us that, in Iceland, there are many cats, because dogs were introduced only recently there, and that turtles are forbidden. The latter fact used later in the episode to neutralize one of Carmen’s possible enemies that just “happens” to be also in Helsinki.

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      • #2366832

        Hmm, it seems I need some lessons of geography myself … Reykjavík and not Helsinki is the capital of Iceland! And I do know people from both places! Oh more careless me!

        What? Why are these Vikings here?  What, I’ll get the “blood eagle” for calling your capital “Helsinki” you say? The “blood eagle”? Really? Oh, please, not the “blood eagle”, anything as my punishment, but that! Oh, please, forgive me, I beg you on my

        knees!https://www.youtube.com/watch?v=vNEd9FyG5P4

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    • #2369380

      Here is an article with a list of animated movies and series coming to Netflix this year or early next one. Of those listed, the ones that look most interesting to me are: the new Shaun the Sheep movie, the continuation, with Season 4, of “The Dragon Prince.” And two feature-length movies I consider likely to be really special: “Chicken Run II”, the follow-on to the much loved “Chicken Run”, from the celebrated Aardman Studios in Bristol (of “Wallace and Gromit” and “Shaun the Sheep” fame) and “Pinocchio” from horror and comedy, and horror-comedy and comedy-horror Grand Master, Guillermo del Toro. With an extraordinary voice cast that includes the likes of Gregory Mann, Cate Blanchett, Ewan McGregor, Christoph Waltz and, of course, Ron Pearlman.

      https://www.whats-on-netflix.com/coming-soon/netflix-original-animation-coming-to-netflix-in-2021-beyond/

       

      pinocchio-animated-movies-and-tv-series-coming-to-netflix-in-2021-and-beyond

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    • #2369415
      • #2369576

        Thanks, Alex. “The Bad Batch” looks quite impressive, visually, going by the trailer in the link’s imdb page. I am wondering if the animated characters may not be actually live actors filmed first and having their camera-captured motions then digitized and used to create the animated version, but I cannot find any mention or confirmation of this anywhere. So probably the creators have at their disposal some pretty serious animation software. Being produced by Lucasfilm Animation, that is not unlikely.

        This is the Wikipedia article on the TV series (there is also a film by the same name):

        https://en.wikipedia.org/wiki/Star_Wars:_The_Bad_Batch

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    • #2372865

      To those who love and admire the extraordinary works that have come out over the years from Studio Ghibli (in hiatus from 2014 after the retirement of Miyasaki and Takahata until recently, when Hayao Miyasaki decided to make one more movie) you can hear and watch the extraordinary, in several respects, concert celebrating the 25th anniversary of the Studio, in 2008. And celebrating also the work of the author of the music of all of Miyasaki’s movies: Joe Hisaishi (artistic name). The music is from each of those movies, beginning with “Nausicaa of the Valley of the Wind” and ending, in recapitulation, with excerpts from “Princess Mononoke”, that is undoubtedly one the greatest animated movies ever made. And the show was absolutely spectacular, with a huge orchestra, a huge chorus, several very good soloists, and an enormous and very enthusiastic audience in a corespondingly enormous arena in Tokyo: the Budoukan. That, given the number of musicians and chorus singers, the thing came off as well as it unquestionably did, seems like another artistic miracle of those Ghibli has been justly famous for.
      And if you think that there is, or are, in the above one, or more, superlatives too many, well: just go and watch this show; then, if that did not change your mind, you may complain that I was exaggerating.

      My comment in AskWoody on this performance, including a link to the full video, is here: #2372761

      Quoting from the article here:
      https://soundcloud.com/joe-hisaishi/budokan-studio-ghibli-25-years-concert-joe-hisaishi

      Joe Hisaishi in Budokan (久石譲in武道館 Hisaishi Jo in Budoukan?) was a concert given on 4 and 5 (plus an added performance on 6) August 2008 at Tokyo’s 14,000-seat Nippon Budoukan venue commemorating both the Japanese theatrical premiere of Ponyo and the 25 years of musical collaboration between composer Joe Hisaishi and film maker Hayao Miyazaki.

      This massive concert featured performances of these signature Miyazaki film scores composed by Hisaishi, conducting from the piano, and the 200-member New Japan Philharmonic World Dream Orchestra, along with six featured vocalists, the 800 combined voices of the Ippan Koubo, Ritsuyuukai and Little Singers of Tokyo choirs, plus a 160-piece marching band. Altogether there were some 1160 musicians and singers on stage, backed by images from Miyazaki’s films projected on a giant screen.

      These performances were recorded and broadcast by NHK in two versions – an edited 1-hour version aired on NHK on 31 August, and the full concert aired on the NHK satellite channel BS2 on 23 September 2008. Walt Disney Studios Home Entertainment released R2 DVD and Blu-ray versions of this 2-hour concert in Japan on 3 July 2009.”

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    • #2372908

      Below: a drawing by Miyazaki of “Mononoke Hime”, or “Princess of the Spirits of the Forest” a popular nickname given to her, not her own name — as she did not have one), charging in a pitched battle against the forces of Iron Town — that is mining iron sands that are part of the soil of her magic forest and gradually destroying it in this way — combined with rogue samurai and mercenaries hired by the the Emperor. She will meet defeat there, but live to fight another day.

      This is one example of the “clear line” style (later used in the West by Hergé, of Tin-Tin fame and by many other graphic artists since then) developed in Japan, as an adaptation of the ancient Chinese technique of wood-block engraving, by the great Ukiyo-e masters, such as Hokusai, who in the nineteen century made it popular there with their gorgeous prints, getting also the attention of Western artists, notably Toulouse-Lautrec. He and other artists used the Japanese wood-block prints as an inspiration to make their own lithographic prints. They discovered the Japanese techniques examining the prints that were being used to wrap ceramics and other imports from Japan.

      Mononoke.Hime_

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    • #2374018

      “Millennium Actress” by Satoshi Kon is now available in Amazon Prime at no extra cost for subscribers. This is unexpected good news I just came across looking there to see what was available.

      This movie is now seventeen years old and was one of the four full-feature animation movies and one TV series that comprise the main creative output of the late Japanese director Satoshi Kon, who died ten years ago. He was 46 and had made a contribution to cinematography like few have. His constant theme was the slippery nature of reality as reimagined by memory or reinvented by the imagination, not always into a thing of beauty, as in his TV creation, “Paranoia Agent.” There a mysterious serial killer that bashes his victims with a golden baseball bat, prowls the streets at night, or so the rumors, ever more frequent and scarier will have it. Reality and public imaginings both are and are not quite in agreement about that and people’s dark imaginings prove very contagious. Or in “Paprika”, where a machine that allows people to enter into other people’s dreams to do a form of advanced psychological therapy gets stolen and used to break down the barriers between dreams and reality of the whole population of a large city.

      And “Millenium Actress”, where an old woman, a retired actress that quit acting at the very peak of fame to become something of an intriguing hermit, like Greta Garbo, tells the story of her life to a reporter that, somehow gets magically drawn, with the photographer that is working with him to illustrate this interview, into the memories of this actress, where things appear not quite as they were, as they really happened, as if it was all part of a dream, where her acting roles and her real life at times get mixed together, but one cannot be quite sure even of that.

      If this sounds like an Art House movie, well, so be it. Because this is so much more: Satoshi Kon was one of the great cinema innovators, and his early death of pancreatic cancer, an inestimable loss to all those who love good movies.

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    • #2379333

      Trollhunters__Rise_of_the_Titans_01_20_31_12

      Guillermo del Toro’s highly praised series of animated shows in Netflix, collectively known as “Tales of Arcadia” (‘Arcadia-Oaks’ is the name of an imaginary small city in California where good trolls live underground in a large market town of their own), has come to a close with a movie where all the good and some of the bad characters from the three previous series have a final get together and fight it out for a last and decisive time. The three series: “Trollhunters”, with 26 episodes; “3 Below”, with 13, and “Wizards” with 10, are highly imaginative — as befits anything by del Toro, a twice-winner of the Oscar for Best Movie — and are also considerably different in style from each other. The first series follows generally the lines of “Buffy the Vampire Slayer”, with some characters in similar roles, but with several 180-degree differences, such as the eponymous Trollhunter being a high-school boy, not a girl, etc. The second one, “3 Below” is about two royal aliens and a faithful ally that escape together from their far-away planet, in another star system, after a government takeover by a ruthless leader that imposes a reign of terror, and come to Earth to hide in Arcadia by passing for ordinary humans. It is an interesting science fiction-themed series where the very advanced technology of the aliens is shown in very imaginative ways. The last and shorter series, “Wizards”, is about Camelot, King Arthur, his sister Morgana, the Round-Table, magic and time travel, where the main characters of the two previous series are flung from present-day Arcadia to King Arthur’s time and that of the mage Merlin — and back to the present … more than once.

      The movie released today closes the story and is called “Trollhunters Rise of the Titans.” It is about three powerful mages forming “the Arcane Order”, that launch an all out attack against anything alive to “make the world anew”, meaning when it was a ball of fire just coalesced from the materials in the original dust cloud adrift in space, early in the history of the Solar System, and they do so with giant monsters of which each of them controls one that, starting from three different places around the world (Greenland, Brazil and Hong Kong Harbor) end up advancing towards Arcadia, something that leaves Arcadia definitely in bad shape after it is all over. Good prevails over evil, but at a steep cost, because the end is both tragic and also hopeful, with a time-bending twist that promises that, in a new timeline, things will end even better than they did in the current one. But it also leaves no reason to expect a follow-on series or movie. The “Arcadia” story is over and done and its engaging heroes and their loathsome foes are not coming back to our screens. But they’ll be available to be watched again, for a very long time to come, as they have been produced by and can be streamed from Netflix, wherever Netflix shows are available for streaming.

      A rather enthusiastic and also detailed review:

      https://www.animationmagazine.net/features/trollhunters-rise-of-the-titans-delivers-a-fantastic-finale-to-del-toros-tales-of-arcadia/

      Offcial Trailer:

      https://www.youtube.com/watch?v=6H4Y21Hg2L8

      A whole series recap:

      https://www.youtube.com/watch?v=VK81RXn2Bm8

      And, of course, Wikipedia:

      https://en.wikipedia.org/wiki/Tales_of_Arcadia

       

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    • #2398995

      Netflix is now starting to stream the four seasons of “The Legend of Korra” that, on the one hand, I was reluctant to watch, because the précis from Netflix made it seem like a compendium of New Age nonsense. But the drawings looked good, and I am a sucker for well-drawn animation, so tonight decided to give it a go.

      Now that I have watched the first three episodes, have concluded that is worthy of being in my list of shows in Netflix. It is funny and action-packed, the main character is engaging in her own head-strong, enthusiastic and vulnerable way. And it just might be, by the time I am done watching it, that it actually turns out to be one of those important animated series that have graced the first part of this century and I hope continue to do so in the decades to come.

      This show is related to the hyper-famous “The Last Airbender” in that it was created by the same team and also in the main character being a relative, possibly a reincarnation, of the guy with the blue arrow in his skull, but the action is decades later, she is quite different in temperament and personality. And it is a different world too: what was started by the last Airbender as a federation of nations democratic and peaceful, is being torn up by politically inflamed rancor and distrust exploited by those who, pretending to be for the “oppressed”, actually only want to gain absolute power.
      Korra is an “Avatar” that, supposedly, can bend all the elements and use them, among other things, well, mainly, as weapons, but has trouble bending air, of all things. Nevertheless, this newer series (it was completed in 2015) is different enough in the scenery, mostly resembling a city from the 1920’s, and in the main character well … character, while still being fairly funny to watch, with its serious moments.
      The fans, a kind of people beyond my powers of understanding, have been bitterly and noisily divided over this show, half of them finding plenty to dislike when compared to the “Last Airbender”, the other half loving it to bits. I won’t even try to follow their debate.

      https://en.wikipedia.org/wiki/The_Legend_of_Korra

      Comment of a critic in Rotten Tomatoes after watching the whole series:

      Korra’s growth from brash and impatient teenager to capable leader and mature woman is incredibly satisfying; Korra managed to be one of the best series about a female superhero since Buffy the Vampire Slayer.

      Well, mention Buffy to me and I am in ecstasy and will say yes to anything, so yes, this series looks pretty good as an animation one, in its nicely drawn pictures (traditional “clear line style”), smoothness of animated movement, sober use of gesticulation, mild adult themes, very well designed overall. At least judging by the first three episodes and what I have been reading about it … so if you have no idea of what this is like, then give it a try, it can’t hurt you, so why not?

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      Sky
      • #2399015

        First of all, to anyone considering watching it, it is very much a sequel to Avatar: The Last Airbender, and shouldn’t be watched without watching Avatar: TLA first.

        As for my opinion on The Legend of Korra, which I watched several years ago, I will try to give what I found to be the positives and negatives, because it’s not all good and not all bad.

        On the one hand, it is, overall, inferior to Avatar: TLA, which isn’t surprising considering how good Avatar: TLA is. The main thing is that the characters just aren’t as likable and don’t have the memorable personalities. This is no surprise, though, as the main group in Avatar: TLA are just absolutely wonderful and I’d watch a show just for them regardless of the plot! I also didn’t find the story in Korra as compelling as the story in Avatar: TLA, perhaps due to the fact that I wasn’t as invested in any of the characters for a lot of it, perhaps due to the fact that I was used to the world, perhaps due to the fact that it just isn’t as good. I also felt that the writers achieved the first half of Korra’s growth as a person simply by making her headstrong and constantly make bad decisions, which is such a tired way of doing things. Aang didn’t need that to grow.

        On the other hand, it is still superior to the vast majority of animated shows out there. It suffers because people were expecting another Avatar: TLA, and it was never likely to reach the great heights of that show. Sequels to great shows and movies just don’t tend to be as good because of regression to the mean, after all. And while the first half of Korra’s growth is weak, the second half is excellent, especially in the fourth series, which tackles more mature themes (I can’t say more because of spoilers, but it’s very well done). She goes from a character that I found irritating to a character that I truly liked, and that is a rare thing.

        Overall, it’s very much a show that is worth watching if you enjoyed Avatar: TLA, just don’t expect it to be exactly like Avatar: TLA or quite as good as it. And even if you are unsure after the first season or two, it is worth sticking with, as the third and fourth seasons are much better, in my opinion.

    • #2399078

      Interesting that my own take on the “The Last Air Bender” vis a vis “Korra” (at least so far …) is precisely the opposite of Sky’s. But as I already wrote, I am not going there … In final analysis, they are both great shows.

      “The Story of Korra” is not the only series with a heritage of the “Avatar:  The Last Airbender” (or “ATLAB”, for short), because there is another one, and it is also in Netflix (and this one is of Netflix):

      https://www.theverge.com/2018/9/7/17826544/the-dragon-prince-review-avatar-last-airbender-netflix

      Excerpt, emphasis mine:

      The Dragon Prince, which launched on Netflix on Friday, September 14th [of 2018, when this article was written; it has been renewed for a 4th season and in production – if considerably delayed because of the pandemic, so with no release date yet] , is an original series from Wonderstorm, a new TV company helmed by gaming veterans who have worked on large franchises such as League of Legends and Uncharted. Co-written by The Last Airbender head writer Aaron Ehasz, this computer-animated show has an undeniable Avatar influence: The Dragon Prince is divided into “books” that correspond with magic elements, just like Avatar. There’s a lot of action, just like in Avatar. And bizarre magical animals abound, just like in Avatar. One of the main characters is voiced by Jack De Sena, who voices Avatar’s Sokka fame, so every line out of his mouth is a reminder of his previous show. Most importantly, the new show’s myth-building is masterful. The Dragon Prince offers viewers a rich and suggestive world that’s teeming with possibilities about what might be happening beyond the frame.

      Wonderstorm takes us to the world of Xadia where nature has created six prime sources of magic: the sun, the moon, the stars, the earth, the sky, and the ocean. A thousand years ago, humans created a new element, dark magic, which feeds off the essence of magical creatures. Dark magic is powerful, but its parasitic nature horrified the elves and dragons of the land who pushed humans into the west of the continent. To defend the border between the magical lands and the human kingdom, a mighty dragon king once stood watch, but humans eventually killed it and its dragon heir. This is where The Dragon Prince begins: tensions between the factions are high, and the world is on the precipice of an all-out war.

      To me this is a very high quality show, perhaps the best to come down the pike, of the fantasy type, in recent times, besides the 2014 Studio Ghibli Goro Miyazaki’s series “Ranja, The Robber’s Daughter”, now in Amazon Prime, and the six seasons, now in Netflix, of “How to Train Your Dragon, Race to The Edge.” I have commented already on these three shows in this thread.

      And by the way: why “Avatar”?

      https://en.wikipedia.org/wiki/Avatar

      Avatar (Sanskrit: अवतार, avatāra; pronounced [ɐʋɐtaːrɐ]), is a concept within Hinduism that in Sanskrit literally means “descent”. It signifies the material appearance or incarnation of a deity on Earth. The relative verb to “alight, to make one’s appearance” is sometimes used to refer to any guru or revered human being.

      So is the “Avatar” (noun, not verb), the main character in ATLAB and in “Korra” successive incarnations of an actual god come to Earth in human form? I do not remember seing that said, implicitly or explicitly, anywhere, hence my question. Does anyone here knows more about this?

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      • #2399088

        They are both great shows, agreed. Hopefully you will feel the same as I do about the relative quality of the seasons, because then you will enjoy it even more as it goes on!

        So is the “Avatar” (noun, not verb), the main character in ATLAB and in “Korra” successive incarnations of an actual god come to Earth in human form? I do not remember seing that said, implicitly or explicitly, anywhere, hence my question. Does anyone here knows more about this?

        The origins of the Avatar are explained in The Legend of Korra (in the second season, if memory serves me correctly). It’s really rather spoilery, so I won’t explain it unless you really can’t wait and want me to.

        (I tried to include the reason in a Read More tag, but it deleted my post upon editing, so that seems to be a bit buggy.)

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      • #2399093

        I forgot to list, along with those other three, in my opinion, outstanding animated shows and “perhaps the best to come down the pike in recent years” the three wildly imaginative series comprising “Tales of Arcadia”, of Guillermo del Toro, in particular the first one, and longer series that went on for three amazing seasons, 2016 – 2018: “Trollhunters.” Also commented earlier on here. all the seasons of “Tales of Arcadia” and of “Race to the Edge” are now also in Netflix, same as are “Korra” and “the Dragon Prince.”

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    • #2399105

      Now, a special mention for the latest little masterpiece of the Bristol wizards of amusing animation at the Aardman Studio: the movie “Farmageddon”, now showing in Netflix, where Shaun and the rest of the sheep try to deal with an alien that landed in a forest nearby at the helm of a huge flying saucer and that, as it is found later on, is not quite what they have taken it to be. They are opposed by Blizer, the Farmer’s yellow dog who is also the Farmer’s second in command, because they seem to be neglecting their sheepish duties, and by a woman who commands a company of yellow moonsuit-clad soldiers and who is grimly determined to get herself an alien, dead or alive, as it turns out for reasons not entirely related to doing her job. And the sheep also have the Farmer getting in the way with his plans to setup a theme park around the landing of the alien in the neighborhood, once that he realizes, reading the news, that a whole large mob of people are likely to descend on the nearby town to then come and visit the place of the landing. Because the money he will made by charging them entrance to his theme park would solve the problem of him realizing his latest dream of buying an expensive and spiffy read harvester he has been reading about in the ads and is salivating just by thinking of driving it.

      Things work out differently of what anyone expected, of course and with, as usual, much amusement ensuing. At least for anyone who is watching the movie.

      https://www.youtube.com/watch?v=YlYN4UjMXA0

      And for the uninitiated:

      https://www.youtube.com/watch?v=0BSuXfMU3CM

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    • #2399163

      Well, I took this Sunday to go through the first season of “Korra” and I have found it pretty good. Some people in reviews I have read have commented that the fighting competition between teams of people who bent various things, a sort of benders’ World Wrestling Federation championship, using magic of different kinds as weapons rather than great athletic and good theatrical skills, as in our world’s actual WWF competitions, was a waste of viewing time. For my part, I have found this competition fun and exciting, and think that was a good idea to have that in the initial part of this series. There is conflict and even war in this first twelve episodes, and the suspense and scary parts seemed to me well-balanced by the lighter ones. The Big Bad, the villain of the season, was well written: intelligent, relentless and definitely scary enough. Also I think that the main character, Korra, is a likeable enough one and did pretty well throughout all that happened in this season, considering that she started untried in real fighting of the risking life and limb kind she inevitably had to be in, not quite the same as the relatively safe spectator sport she would be taking part in as member of an underdog fighting team consisting of her and two brothers, a triangle that will cause some trouble throughout the season; naïve in many ways, being an awkward if enthusiastic young girl from the sticks living for the first time in a big city, and frequently a not very lucky one as well. I laughed often, because the story is quite funny in places. Something that makes me laugh with rather that at cannot be that bad. There is enough sadness and misery in this world, after all, to go looking for more in an animated show. But there is just enough of that for her character to start to mature through some suffering and loss and, at the end of the season, she is clearly on her way to develop a better defined and  more substantial personality.

      Ski has already told us that “Korra” gets even better in coming seasons, so that is something to look forward to. But I intend to proceed watching at a definitely slower pace. This rushing through the first season was to get a quick idea of what this series is like and then comment on it, as I just have done.

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      Sky
    • #2399627

      I thought this comment was going to be written next week, but … Having finished watching the second season of “The Story of Korra”, I can report that:

      (1) This season has an absorbing story of its own, while being obviously part of a longer narrative arch; also that it is beautifully drawn and full of interesting and even awe-inspiring events.
      (2)The main characters develop further into more fully-fledged personalities, including Korra’s.
      (3) It is difficult to say which part is the most memorable, but to me is the episode where Korra learns the story of the first Avatar, how a common man, and a very poor and marginalized one at that, became the first Avatar and gained its powers that now, down the generations, she has inherited and is learning to master. (Still not too clear about that “Avatar” title she now has, for reasons explained previously, that have to do with the actual meaning of this word.)
      What stands out for me in this part is the drawings: they are simpler in detail than in the rest of the season, and resemble old Chinese and Japanese paintings and engravings, particularly those of mountains, clouds and waves. I am sure of that, as I have seen not just reproductions, but also originals of such paintings and engravings at the Tokyo National Museum and at the fabulous National Palace Museum in Taipei, where I spent, years ago, many hours admiring them.
      (4) If there is something I think people should be warned about, is that the episodes are not largely self-contained, but are like pieces of a longer movie that just stop when the 20 minutes allowed to each episode run out. There is not a story, related to the larger arc of the season, but at least partially independent from it, that begins and then is completed in each episode, so it is easy to stop watching at the end of it, more or less satisfied that a point has been reached when it is possible to do so, leaving further episodes for another day.
      That is not making a criticism, this is telling you what kind of show this one is.

      https://artsandculture.google.com/partner/tokyo-national-museum

      https://artsandculture.google.com/partner/national-palace-museum-taiwan

      scene.from_.1st.Avatar.story_

      story.of_.1st.Avatar.1

       

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      Sky
    • #2399851

      The Legend of Korra, Season 3:

      The season begins with Korra and friends trying to clean up the mess that was Republic City at the end of season two and finding it hard to make much headway, and Korra losing popularity with an increasingly frustrated and impatient populace.

      The Big Bad in this season is in fact a group of evildoers that are more like stock supervillains, each with his or her own specific super power, except for their leader Zaheer, that is a sort of Buddhist Bodhisattva-in-training given to providing remarkably clear and reasonable explanations of why he wants, essentially, to destroy civilization. And who has acquired some formidable bending abilities.
      They are the muscle and he is also the brains of an underground anarchist movement called “The Red Lotus” whose members are planning to destroy the governments of all nations and create chaos on Earth, because they believe that chaos is a good thing, based on the cryptic pronouncements of some ancient guru that also could not just levitate but also fly like a one person mini jet hunter-fighter. And who taught Zaheer how to do this, something that really complicates matters.
      So, unlike in previous seasons, there is not in this one a really memorable villain.
      Zaheer is OK, but, in my opinion, not at the same level of exuding a sheer evil menace as those two that preceded him.

      Also it turns out that Korra’s family and that of Republic City’s chronically grumpy female Chief of Police both really have some very serious personal issues that are unsteadily, in stop-go fashion, worked out in the course of many of the episodes.
      I had thought that my family was troubled and trouble enough, but it has nothing on these other two.

      On a bright note, there are the smart and hyperactive kids, with the addition of a ragamuffin little thief that is among those that surprisingly gain air bending powers and that turns out to be a diamond in the rough. Also one of the two brothers that were Korra’s partners in a bending fighting championship in the first season and, until recently, was just the comic relief of the show, develops unexpected bending powers and maybe a little cunning.

      In fact, since some mystical, New-Agesy thing happened towards the end of Season II, people started to develop air-bending powers all over, and one of the Powers That Be wants to corral them into a personal super-army, while the “Red Lotus” wants to get rid of all air benders (or that might be their motive, as this part is rather blurry). And all that is the main plot device that propels the action.

      There are some great fights, including at the end a mega battle for two.

      The best thing about all this is that, so far, Korra has remained the short-fuse, never-take-a-no-for-an-answer, but also rather goofy character that I have grown to like.
      However, the last episode of this season gives me the impression that this is about to change in the fourth and last season, that I’ll review once I have seen it.

      So far, this has been an enjoyable animation show with likeable leading characters in an imaginative and very beautifully illustrated story that is often taking unexpected turns that have kept me paying attention and wanting to know what happens next.

      For example, a giant sand shark trying to eat Korra and friends trying to escape the deadly desert where they have force-landed by crashing an airship taking them in chains to be the prisoners of a particularly nasty queen. How about that for a story within a story?

      Sand.shark_.trying.o.eat_.karra_.and_.friends

      And  a get together welcoming a new member of their group that is a rather dubious character.

      the.ragamuffin.karra_.and_.associates

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      Sky
    • #2400093

      Well, I have seen the fourth season of Korra (seasons here are called “Books”, so this is also Book 4). Comment follows.

      At the end of season 3 Korra has been poisoned with a “metallic poison” that is bound to kill her if noting is done to remove it from her body. Because it is “metallic”, the metal-bender sister of the grumpy Police Chief (now reconciled with each other and she slightly less grumpy) manages to remove the poison, but … Anyhow, Korra is left an invalid that, three years later, at the start of this season, still has not recovered and is still largely confined to a wheelchair and is very slowly getting more mobile thanks to physiotherapy.
      But this progress is not only slow: Her lingering condition also deprives her of all Avatar powers.
      So she is very low emotionally.
      I have feared this was going to happen and that this last season was going to be a real drag, and she a real pill.

      But never fear: Korra regains her mobility and can go out and roam the world trying to get back her full strength and Avatar powers, but she does this for several months without success and having flashbacks of the bad moments she has had in the past (since the start of the series). And visions of a dark version of herself that keeps following her.
      Eventually, by chasing after this dark one, she encounters someone who finds the cure to her lingering physical and psychological issues.

      On her way to full recovery, but not quite back in shape yet, she tangles with Kuvira, a bad sort one, and, as she reports succinctly: “She kicked my butt”.
      Now a few words about this Kuvira, that is a metal-bender female with a minor role in season 3, but now becomes the forth and last Big Bad. Except she is not, in my opinion, really big enough, so I think she is just the season’s Bad.
      Kuvira, at the start of this season, is given the job of pacifying and reorganizing the nations of the world that have been wrecked by the previous season’s Big Bad, the leaders of the religious-anarchic “Red Lotus”, whose members believed that chaos is good and all civilized form of life is bad, so it should cease to be. Sort of like the Khmer Rouge in Cambodia, back in the late 1970s.

      But Kuvira has other ideas and uses the advantage that she is given the largely intact resources of the Federation, including military ones, to help her restore peace and order in the world, and with that she sets, instead, on a progressively more and more open campaign of World Domination, establishing a territorially ever-expanding oppressive government with herself as its ruthless dictator.
      Not very original, but not as much of a disappointment as it sounds. Because this opens a big space for set fights and some pretty huge battles, all very nicely done.
      I am not a fan of shows that relay primarily on blowing things up, but all in all, the explosions did not bother me this much here, because of all the other interesting things that happen and all the interactions between the ever more numerous characters. So many that they end up making this series something that leaves Tolstoy’s “War and Peace” and Dostoevsky’s “The Idiot”, for example, far behind in the dust.

      The end includes a gigantic mecha (sort of an anime/manga robot, but with a human crew inside controlling and directing it, Kuvira being the CO of this crew) armed with a giant cannon-like mystical-rays-emitting weapon powered by the “spirit energy” of “spirit vines.” (Well, there is quite a bit of New Agesy stuff in this last season, but never mind, there is plenty that is good enough in it to compensate for that).

      Before I go, I want to mention that as part of the action throughout this series, two worlds have been united and separated and united again and … these being the world of physical “reality” (real enough to have air benders living in it) and the Spirit world. People go into the Spirit world in one of two ways: (a) physically, through a portal at each of the Earth’s poles, or (b) mystically, by meditating themselves into it. Something that only the Avatar can do and a few others. This plot device is an important one, particularly in this last season.

      Oh, and Korra cuts her hair short in a moment of desperation, but then everyone who knows her says she looks great like that.

      And Korra, through her ordeal of pain and disappointment, with all that physio and the rest of it early in the season, grows into a more mature, or else more conventional, person (take your pick) that is also more of a team player.

      Well, having seen this from beginning to end now, I must say that, as animated shows go, this is one of the truly must-watch ones for those who like really good animation and good action shows. With big explosions and a giant mecha armed with a really big doomsday spiritual-energy-powered ray gun.

       

      Now this was Korra at the end of season 3, in her wheelchair-reduced&sad-sack-state:

      Korra.in_.really.bad_.shape_

      And this is Korra early on this season, still not in great shape, but now at least mobile enough again, after all the physio, during her sad, frustrating and lonely world-wanderings trying to go back to what she used to be like when in full-Avatar form:

      Korra.still_.in_.bad_.shape_

      And here is she, back in form and having a discussion with Kuvira (at the control room of a giant mecha the latter means to use to wipe out any remaining resistance in Federation City), where both are considering Kuvira’s plans for World Domination:

      Korra.and_.Kavira.having.an_.argument

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      Sky
      • #2400167

        -Spoilers below, just as there are in Oscar’s above posts-

        I’m glad that you enjoyed it so much, Oscar. I hope that you enjoyed the progression of Korra’s character as much as I did; it’s so rare to get physical disability and mental struggles addressed in a show primarily aimed at younger viewers, and rare just generally, so I was very pleased to see it and very pleased that it was handled so well.

        I agree that Kuvira isn’t the most original character, but she wasn’t just a stock character and very much had her own reasons for doing what she was doing, and it allowed for some good action, so I have no real complaints there. I’m also glad that they addressed the inevitable side-effects of the previous seasons, with Kuvira being largely a result of them.

        I also very much appreciated the evolution of Korra and Asami’s relationship, even if the creators weren’t allowed to do it properly.

        Overall, I suppose that I just really appreciate the maturity of the last couple of seasons, it wasn’t something that I expected. Having the protagonist realise that personal maturity and self-reliance and power aren’t necessarily the same things and is very mature, and a good lesson to be teaching the primary target audience. I also felt that her struggles gave her vulnerability that wasn’t there in the previous seasons, which allowed me to empathise with her a lot more.

        So yes, an excellent show.

        • #2400191

          The last scene of Season 4 of “Korra”:

          Season-4-last-scene

          I generally agree with Sky, except for two things:

          (1) Kuvira: At least as I see it, she is not given enough of a personality development to know what makes her tick. She is a flat, 2-D character whose deeper motivations are for us to imagine, if we so please, but are not implicit or explicit in her actions: she is just a rather inscrutable (or a cypher) power grabber coming pretty much out of nowhere. Yes, she has a tough job requiring a heavy hand to get it done, at least at times and in places, but she goes far beyond that and makes herself into a sort of drab and not very interesting second-rate Napoleon Bonaparte, with an Empire, yes, but minus the Emperor’s self-coronation and the knock-out beautiful trophy wife he crowns as his Empress himself, in the grandiose razzmatazz ceremony portraid by Delacroix in a huge painting now exhibited in the “Salles Rouge” of the Louvre.

          (2) Brave Korra and gorgeous Asami’s relationship: This relationship, as far as I can see, supposedly revealed at the very last scene of the series, looks no more and no less than what they have said it is: They are two good friends going together on a vacation to the very scenic Spirit world, holding hands as they cross the portal that the explosion of the super weapon Kuvira had intended to use against its defenders had created in the center of Federation City. And, still visible behind the veil of the beam of light emanating from the portal, they can be seen looking at each other. That’s it.

          The maker’s of the show had declared they meant this ending to indicate the start of a lesbian relationship between the two, and I have read that this has become a sort of creed among some fans of Korra and points beyond. To me, this looks like making a lot of hay out of a couple of very thin straws. Yes, both young ladies have had their fair share of men trouble and people in such situations tend to bond together, but that does not mean the start of a romantic relationship. They forswear men? I would not be surprised if they did, for a while (but this would be just fantasizing what happens after the show ends, entirely out of thin air). When I was still a teen I forswore girls for awhile along with a couple of friends who were having the same kind of girl-trouble as I did. We did not became lovers, we stayed just friends.

          So what does the ending actually means? As far as I can see, that is entirely left to the viewers’ imagination. The extraordinary degree of discretion on the part of the makers of the show, to put forward a message written in some invisible ink only certain people knew how to make it visible and read, is particularly surprising, because it was at the end of 2014 when this last season came out, and the pro same-sex marriage movement was already up and about, with polls and direct observation showing that a significant proportion of the USA population, perhaps already a majority, and of those of a number of other countries, including supposedly very Catholic Argentina, Brazil, etc. in South America, were either quite indifferent or at least somewhat favorably disposed towards it and that this favorable sentiment was growing, as was the number of supporters of this movement in favor of the right of people to live their private lives in peace, as long as they did not illegally harm themselves or others, without being ostracized for how they choose to live them.

          Just very few years later, family shows, including two in Netflix: The Dragon Prince” (related to the “Avatar” series) and “She-Ra and the Princesses of Power”, both of which I have covered here and in the predecessor of this thread, — the one on animated shows to watch in Netflix — featured same-sex marriages and each of them also an incipient romance. For example, there is the obvious and upfront start of a romance between the two main female characters in the last episode of She-Ra, and this in an excellent show that is definitely for ages 10 and above.

          And I still like  these two characters, Adora/She-Ra and Catra, and no, I have not turn into a raving drag queen after watching their show. Several times, by now. Not because of its lightly handled same-sex stuff, about which I do not particularly care, but because it is that good.

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          • #2400202

            After I thought I had finished my previous comment I realized that the very first statement in it:

            I generally agree with Sky, except for two things

            might no be entirely right, so I wanted to add the word “perhaps” in front of “except”, but it was too late and the time window for editing the comment had ended.

            I also would like to mention here that those spirit portals I wrote about in my comment on Season 4 work both ways for people and for spirits: They can come out or go into the others’ world quite freely through them, a result of this being that many spirits do come out and mix with the people. Most of these spirits are small, colorful and cute, but some are big and nasty.

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    • #2400617

      When can you watch ‘A Charlie Brown Thanksgiving’ on PBS?

      Despite officially being an Apple TV+ exclusive, “A Charlie Brown Thanksgiving” will again be shown on free to air broadcast television, courtesy of Apple and PBS.

      It won’t be returning to ABC, its home for decades, but US television viewers will still be able to watch the special without subscribing to, or even watching, Apple TV+. As it did in 2020, the holiday favorite is once more getting a screening on PBS and PBS Kids. They will both air it at 7:30 p.m. Eastern on Sunday, November 21…

    • #2400730

      It is not a good sign of the times that Apple TV + now owns something that has been publicly available and, for many in the USA, a part of the Holidays for all these years. Even if they, oh so graciously, allow PBS to broadcast it as well — for this one time, at least.

      So what next? Amazon owning all Thanks Giving turkeys and one having to join, and pay for, “Amazon Prime” to get one’s own turkey?

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    • #2401168

      Some of the creators of the much loved “Avatar: The Last Airbender” and very recently of “Avatar: The Legend of Korra” (this one already discussed here a few comments above this one), have also brought us Netflix’s “The Dragon Prince” (also commented by me earlier in this thread, that takes place in a different universe, so consequently with a story unrelated to those of the two “Avatar” shows).
      All three are remarkable animated series well worth the time taken to watch them. I intend to comment later on the first one of these.

      In February of this year, the TV channel Nickelodeon announced the launching of a studio dedicated to producing movies and shows set in the universe of the original (2005-2008) Avatar series:

      https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender_(franchise)

      Excerpts:

      In February 2021, Nickelodeon announced the creation of Avatar Studios, “a division designed to create original content spanning animated series and movies based on the franchise’s world.” The original creators and executive producers [of “Avatar: The last Airbender”] Michael DiMartino and Bryan Konietzko will run the studio as co-chief creative officers, with a CG-animated theatrical film set to start production in 2021 as its first release.

      Untitled animated Avatar Studios film (TBA):
      In February 2021, it was announced that a theatrical CG-animated film will be released by Paramount Pictures, with production set to begin later in 2021. It will serve as the first project from Avatar Studios.

      As to “The Dragon Prince”:

      https://en.wikipedia.org/wiki/The_Dragon_Prince

      Excerpt:

      The series [The Dragon Prince] was first announced on July 10, 2018. It was co-created by Aaron Ehasz and Justin Richmond. Ehasz was the head writer and co-executive producer of the animated series Avatar: The Last Airbender, and a longtime writer and story editor for Futurama, while Richmond co-directed the video game Uncharted 3: Drake’s Deception. Giancarlo Volpe, a former director for Avatar, is an executive producer.
      (Three series have been released between 2018 and late 2019, with four more approved by Netflix and the first of these now in production, but delayed by the covid pandemic).

      An now, a fierce-looking Aang:

      Aang.looking.fiercer..than_.usual_

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      • #2401179

        A correction of an unintentional omission above, in the first paragraph:

        Some of the creators of the much loved “Avatar: The Last Airbender” and very recently of “Avatar: The Legend of Korra”

        Should have read:

        Some of the creators of the much loved “Avatar: The Last Airbender” and very recently brought to Netflix “Avatar: The Legend of Korra”

        This show ended in December of 2014.

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    • #2401764

      So which are the best animated TV shows ever for ages 10 to 110??

      My own preference for No. 1:

      Futurama:
      (1999 – 2003 / 2008 – 2013)

      Not many animated shows (other than “The Simpsons”) have had Stephen Hawking, one of the greatest physicists of the 20th and early 21st centuries, making not one, not two, but three appearances in it and on the DVD movies:

      https://en.wikipedia.org/wiki/Futurama

      https://futurama.fandom.com/wiki/Stephen_Hawking_(character)

      Stephen William Hawking, CH, CBE, FRS, FRSA (b. January 8, 1942, d. March 14 2018) was an English theoretical physicist and writer. He provided the voice for himself in three episodes, and of the four direct to DVD movies.

      “The Simpsons” Longest running animated and etc., etc. show on American TV and, in my opinion, almost even with Futurama:

      https://en.wikipedia.org/wiki/The_Simpsons

      And also I am going to say something about this other one, as I have not commented on it so far, because it was not  until recently that I managed to watch the full three seasons.

      Avatar: The Last Airbender:
      (2005 – 2008)

      https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender

      Considered by many critics, at the time, to be the best animated show ever, or one of the best.

      In my own estimation, one of the best.

      I would describe it as a very good fantasy show that started as mainly one for young children, but with just enough content in it of interest to teens and adults, that grew gradually in dramatic depth through its three seasons, also with gradually more developed characters, pushing, not officially but in reality, in my opinion, the youngest among its viewing public to a later and later age, until it ended in the 3rd season as a show more adequate to be watched by those 13 and up (all the way to 110).

      Now, what I consider as the best animated shows I have actually watched, in the order of my own preference:

      Comedy:
      Futurama                  Hulu
      The Simpsons          Disney+ and Hulu
      Shaun the Sheep      Netflix and Amazon

      Dramatic comedy:
      Ronja, the Robber’s Daughter                  Amazon
      Tales of Arcadia                                        Netflix
      The Dragon Prince                                   Netflix
      Dragons: Race to the Edge                      Netflix
      Avatar: The Legend of Korra                    Netflix
      Avatar: The Last Airbender                      Netflix
      She-Ra and the Princesses of Power      Netflixf
      Carmen Sandiego                                    Netflix

      So what’s your list?

      And for “Avatar” fans, here is a first and last peek to “Avatar: The Last Airbender”:

      At Turtle Island:

      Turtle.Island

      To Catch an Avatar:

      To.catch_.an_.Avatar

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    • #2402078

      In the list of my favorite animated shows, shown in order of preference, I forgot to include one more, a visually stunningly and wildly imaginative show called “Samurai Jack.”

      It run four seasons from 2001 through 2004, with an inconclusive ending; then it was restarted for a fifth and final season in 2017. Seasons 1 – 4 are available for streaming from HBO+ and Season 5 from “Adult Swim.”

      The show’s introduction to every episode:

      https://www.youtube.com/watch?v=4iBU_D36-AA

      https://en.wikipedia.org/wiki/Samurai_Jack

      In 2004, British broadcaster Channel 4 ran a poll of the 100 greatest cartoons, in which Samurai Jack achieved the 42nd position. The show was ranked 11th by IGN for its “Top 25 Primetime Animated Series of All Time” list in 2006. IGN also ranked the show 43rd in its Top 100 Animated Series list in 2009. The series has also received an approval rating of 93% on review aggregator Rotten Tomatoes. The first season received an approval rating of 80% while the fourth and fifth seasons received an approval rating of 100%. The fifth season’s critical consensus reads, “An increasing intensity and maturity are evident in Samurai Jack’s beautifully animated, action-packed, and overall compelling fifth season.”

      This one I’ll place in my list between “Avatar: The Last Airbender” and “She-Ra and the Princesses of Power.”

      The final scene, at the end of the last episode of Season 5:

      Samurai.Jack_

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    • #2402237

      Alex made a list of his favorite animation shows and movies.

      I intended only to ask for lists of shows, as for example my own, some comments higher up.

      But this thread is also for movies, so here are my favorite ones, in a synoptic way:

      Movies                                                  Example (also my favorite one in each case)

      All movies from Studio Ghibli               Princess Mononoke

      All movies directed by Satoshi Kon      Paprika

      All movies from Studio Laika                Coraline

      Most movies from Pixar                        Brave

      All movies from Aardman                      Chicken Run

      All movies from CartoonSaloon            Song of the Sea

      Some movies by Makoto Shinkai          Your Name

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      Sky
      • #2402775

        And almost forgot:

        Among my favorite shows and movies: The three animation movies of the series “How to Train your Dragon.”

        There have been also three spinoff TV series with the same characters and setting: two earlier ones now out on DVD and the third, six-session’s long, on Netflix. (I have already listed the Netflix’s series among my favorite shows, in an earlier comment.)

        In all these movies and shows the animation is outstanding, particularly the dragon-flying scenes, as well as beautiful-looking, the stories are compelling and the characters, quirky, memorable, with the “good guys” brave and likeable and the villains cruel and fearsome. With excellent voice actors.

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        Sky
    • #2404166

      The Summit of the Gods (Le sommet des dieux)

      A breathtaking adaptation of the manga series by renowned manga artist Jiro Taniguchi and writer Baku Yumemakura, THE SUMMIT OF THE GODS follows a young Japanese photojournalist, Fukamachi, who finds a camera that could change the history of mountaineering. It leads him to the mysterious Habu, an outcast climber believed missing for years. Fukamachi enters a world of obsessive mountaineers hungry for impossible conquests on a journey that leads him, step by step, towards the summit of the gods.

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    • #2405533
    • #2405801

      Here is a list of thirteen excellent animated movies available these days for streaming from Netflix, Hulu, Amazon Prime and Disney+ :

      https://www.polygon.com/streaming/22383619/best-movies-animated-anime-netflix-amazon-hbo

      I have watched most of these, have them on DVD and have already commented and recommended some of these in this thread. Worth the time spent watching these movies; truly enriching experiences.

      And three more of the best ones, not in that list:

      Available from HBO+ (USA, Japan, Canada), or Netflix (almost everywhere else):

      Princess Mononoke and The Tale of Princess Kaguya.

      And from Amazon Prime: Paprika.

      Paprika

      A machine for manipulating dreams and intended for use in psychotherapy has been stolen and in this clip of the movie it is being used to create a huge collective hallucination:

      https://www.youtube.com/watch?v=4ZAFp4wAjQY

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    • #2409226

      I have commented earlier on about “The Last Airbender” and “The Legend of Korra” and I feel that I have to make one thing clear about the relationship between both animated series, made by some of the same creators and both now available in their entirety in Netflix.

      “Korra” is, roughly speaking, “The Last Airbender The Next Generation And In Particular The Generation After That.”

      When I first came across “The Last Airbender”, I watched the first two or three episodes and concluded that it was a show for little kids and not something of interest to a grown up, or at least to the grown up now writing these words.

      On the other hand, when, a few months ago, I came across “The Legend of Korra”, I was right away sucked into watching the three series over a period of a few days, because its balance of drama and comedy, the appealing nature of its main characters and the sheer evil oozed by its villains turned out to be truly compelling from the start to the same adult that had dismissed “The Last Airbender” after watching a few episodes.

      Then I decided to watch again “The Last Airbender” (or TLAB for short) from start to finish, and found that it gained in depth and interest as it went along, so already by the end of the first series the show was entering a phase of increasing appeal to this older watcher. This deepening-in-interest process continued throughout the rest of the three seasons and, by the end of it, the whole show was much higher in my esteem. But having watched first “The Legend of Korra” and then TLAB, I did not quite understood how they connected with each other. And connect they do, and how!

      Now that I have watched the two series again, in their correct order, a number of things that escaped me when watching them back to front, have become clearer when doing so in their natural order and, for me at least, doing so has added considerably to the interest of both shows.

      In “Korra”, that takes place decades after the events in TLAB, of those characters who were children, just adolescents and grown ups in that earlier show, some have passed away, some are in late middle age, others are old and, either way, they have children and even grand children of their own, including  Ang (who has died), Toph (pronounced “Tough”) with two grown up daughters, Prince and then King Zuko (now a very old man, who has abdicated and been replaced by his daughter in the throne of the Fire Kingdom) and Korra herself, who is the grand daughter of Katara, the main female character in TLAB. The two daughters of Toph in particular are interesting, because Toph become Police Chief of Republic City when she grew up and then her older daughter, also by then a cop, had a serious breakup with his then teenaged sister, who got in with bad companies and in trouble with the law and consequently with the older sister and with their mother. The older sister became Police Chief herself when Toph retired and it inherited not just the job but also Toph’s ability to sense what is around by kicking on the floor, although she was not blind like Toph. And, somehow, she was also a metalbender, something that helped her greatly in her job as top cop of Republic City. This is just an example of how some characters in the new show relate to those in the old one. But there are also new characters that are very interesting, the villains in particular are more villainous than most of those in TLAB, because they are truly evil themselves, not just the nasty leaders of some nation that has an unfriendly foreign policy. And that makes them also more interesting, as does the show, in my opinion. Any action show or movie, whether a cartoon or with live actors, needs a good villain, or villains, to make the grade, in my opinion.

      Well, having now explained some things that I think needed explaining, I leave you all alone, so you can go and watch, if so inclined (and perhaps again after many years) first “The Last Airbender” and then “The Legend of Korra.”

      And that’s all I have the time and motivation to write about these two shows. I hope you also enjoy watching them as much as I have.

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    • #2409563

      Makoto Shinkai is a distinguished Japanese creator of animated movies, mostly full-feature ones, many of them rather long for animation, often close to two hours in duration.

      The drawings are always of the highest quality, colored in a characteristically cool palette slightly shifted towards the blue. Most action happens in cities with complex urban landscapes. Shinkai’s movies are clearly the product of the work of very good artists and technicians that, as is not unusual with full-featured animation movies, often take years to finish. However, his most recent film took him and his team no much longer than one year to make, coming about twelve month’s after his previous one and also probably his best to date, the acclaimed “Your Name.”

      This new movie is called “Weathering With You”, and unlike previous movies that had either realistic plots (“Garden of Words”), or science-fictional ones, such as “The Place Promised in Our Early Days”, “Voices From a Distant Star”, with some fantasy touches, as in “5 cm Per Second” and  “Your Name”, or quite fantastic, as in “Children who Seek Lost Voices”, this last one is largely realistic, but overlaid with a supernatural element.

      https://en.wikipedia.org/wiki/Weathering_with_You

      In this movie the two main characters in its predecessor “Your Name”, the teenager boy Taki and the girl Mitusha reappear in minor roles. This is supposed to be happening during the period in the previous movie when both characters were living in Tokyo but unaware of the fact that both were there — and still without knowing each other’s name (the story behind all this also explains the name of that movie.)

      The plot of “Weathering With You”, in broad outline, is, this: Hodaka, a teenaged boy, has run away from both home and home town to Tokyo, because he felt asphyxiated by the restrictions his family imposed on him and he thought the big city would be a marvelous please where he would live a totally more interesting life. Instead, it turns out to be very hard for him to find his way there, including a place to live and making enough money to leave on.

      At the time the Tokyo region is being pummeled by a merciless and endless rainstorm that goes on and on, first for days and then for weeks, without any sign of ending and threatening to flood the city. The teenage girl Hina, turns out to have a supernatural power that, depending on her mood and, until then, largely independently of her will, may bring on rain, wind and lightning, or cause these to stop and let the sun to shine. At first she is hardly aware of this and her ability to make the clouds part to let the sun shine through comes as quite a shock to her. But this turns into a lucrative enough business when both main characters come together by chance, share some adventures and get interested enough in each other to, among other things, start a sunshine-making-to-order business that solves their financial problems. But the police is after the boy because his parents have reported him as a missing person, while she is living with her younger brother. Brother and sister being minors, they are supposed to be in the care of an adult. So, for all three, their living arrangements are quite precarious and they keep having brushes with the police because of that, to which is added the bad luck of Hodaka finding a loaded Russian automatic pistol that gets him in serious trouble, on top of everything.

      The power to control the weather and, in particular to stop the rain and let the sun in has eventually very serious consequences for a “sunshine girl” (Hina is the most recent of many, it seems, whose existence most people consider to be nothing more than  an urban legend), and that is where to all the drama already in place a heavy additional dose is added, taking the story to its dramatic, if somewhat hopeful ending.

      The story itself, however over the top it might seem in the telling, is quite well told, so much so that maintaining the suspense of disbelief throughout should not be a real problem for those who watch it.

      Frankly, I found this movie rather too long for the story it has to tell, so I did not like it as much as “Your Name”, but I still think it is worth watching.

      Trailer (for some reason the sound is not playing if one is using the browser Vivaldi)

      https://www.youtube.com/watch?v=ps8qwWG8Uio

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    • #2409602

      Avatar: The Last Airbender live action tv series coming to Netflix next year.

      • #2409713

        If this turns out anything like Netflix’s Death Note and Cowboy Bebop (neither of which I have watched, due to the terrible reviews), I dread it already.

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        • #2409735

          I feel the same way; in fact I don’t think I ever finished a single session of Netflix’s live-action shows. It has had a few hits with full-feature movies (“Roma”; “The Irishman”) and has exclusive distribution rights of the recent movie with Sophia Loren in the lead role “The Life Ahead”, for example, all films that have earn much praise and at least one Oscar.

          It is also producing a live-action of “Carmen Sandiego”, a beautifully drawn animation series based on the by now old story of the world-traveling thief as an excuse for children’s geography lessons, but re-imagined into something very funny and also quite interesting to watch. I am not holding my breath waiting for its live-action version.

          The problem with making live-action movies based on cartoons is that, as Roger Ebert explained, animation makes possible to see the impossible. And live-action struggles with that. Not always: successful live-action versions of comic-book superheroes such as Superman, Batman, Iron Man, Hell Boy, etc. that are essentially unusual people with just one special attribute living along us in our usual world, are examples that some things can be made with live actors. But movies heavy on magic that take places in magic worlds, such as “The Last Airbender”, probably are not.

          Netflix has some excellent animation shows and movies, some produced by it, some of other origin. But live-action shows? Not so much. Or at least that I know of.

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          Sky
          • #2409750

            I think that Netflix is capable of making good series – Stranger Things and The Queen’s Gambit come to mind as recent examples that I have seen, and Orange Is the New Black comes to mind as a critically acclaimed series that I haven’t seen – but its anime adaptions have been terrible. It does churn out so much content that most of it is likely to be terrible, though, but that goes for any large studio!

            I used to very much be in agreement with Roger Ebert when it comes to that quote about animation, but I do wonder now. Is CGI not advanced enough now that it is capable of conveying any sort of magic? With a big enough budget, at least. I don’t see why not.

            Rather, I would argue that the primary benefit of animation is a sense of mood and style that cannot be conveyed in live action. When you have top down control of everything as you do in animation, you’re able to bring everything together to a degree that is hard to match, and that results in greater artistic control. As an example, compare the Netflix Cowboy Bebop opening with the original. The Netflix opening is done technically very well, but it just doesn’t come together with the same mood and style that the original does. I think that this is animation’s greatest asset.

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    • #2409780

      Sky: “Rather, I would argue that the primary benefit of animation is a sense of mood and style that cannot be conveyed in live action. When you have top down control of everything as you do in animation, you’re able to bring everything together to a degree that is hard to match, and that results in greater artistic control.

      That is a very good point. And also a good question, whether advances in CGI might make it possible to create the illusion of an imaginary magical world as vivid and consistent as it is with animation. (Not to mention the fact that CGI is widely use in animation now days.)

      Samurai.Jack_

      One thing among others that animation makes possible, besides what Sky has mentioned, is to create human characters that do not look quite like real people, but as stylized versions or even caricatures of people, to good artistic effect. In other words, there is greater artistic freedom in animation compared to live-action movies, because the basic material, the metaphorical chunk of stone to be made into a work of art by the sculptor, is much more moldable in animation than in live action. Also, at least in principle, the special effects are less onerous, because animation is a very elaborate and lengthy special effect made without the need of additional and costly equipment and expertise to create different effects: animation is largely all-in-one, much like the printer/copier/scanner I keep in a corner of this room.

      What is expensive and peculiar to animation, full-feature animation in particular, is the need to employ battalions of people to do the animation various parts: to draw the main frames of the movie, do the in-between frames that link the main ones to create the illusion of smooth movement, provide the sound, the music, the backgrounds and do all the basic art work, including putting together the storyboard that is the illustrated guide to how the story in the movie will develop and how things will look, scene by scene. This last one is usually made under the direction of the main creator of the film, the one with the idea, usually the main script writer and director. Taken all that into account, animation is not dirt cheap but, even so, tends to be less expensive than live action. And there is no need to pay the screen actors, some of which, if famous, can be very expensive. Voice actors may be more “affordable.”

      Finally, animated movies can be also very realistic, highly dramatic and emotionally shocking: “The Grave of the Fireflies” by Isao Hatanaka is a prime example of this. When it comes to animation, the sky is the limit as to what is possible:

      https://www.youtube.com/watch?v=9qK2Nzsvik0

      Roger Ebert on “The Grave of the Fireflies” and on cartoons:

      https://www.youtube.com/watch?v=_9WEyuMq0Yk

      Hayao Miyazaki on … Hayao Miyazaki:

      https://www.youtube.com/watch?v=wZWmOYq3fX4

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      Sky
    • #2422135

      New from Amazon Prime : The Legend of Vox Machina

      “The series follows a seven-member group of second-rate, drunken adventurers, who are on a journey to save the world from terrifying monsters and dark magical forces, only to discover they become a family in the process.”

      9.1 score on IMDB

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    • #2422139

      Well, this is a show that is more for those aged from 21 to 30 than those from 10 to 110. But even with “adult themes” and language that, while using only quite proper English words, would get this comment removed in no time was I to write them here, it is, in a way, also a rather old-fashioned show. For a start, it is the animated “re-imagining” of a  2015 -2017 sort of Web series where actors and crew were friends that started it because they were also keen on playing Dragons & Dungeons, and were inspired, I believe, by a 1980’s TV Show called “Dragons & Dungeons”, based in turn on the game. Which, in my mind prompts the question: Does anyone these days younger than seventy even knows what that game was about? Apparently the people that made this show, available on Amazon Prime since just now, did. And probably still do.

      Official trailer:

      https://www.youtube.com/watch?v=XwVavVF4y_Q

       

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      Sky
      • #2422154

        Dungeons & Dragons is actually more popular than ever, I believe. Tens of millions of people play it. One of my hobbies is board games, so I can confirm that there has been an absolute explosion of interest in them in recent years, although the pandemic has obviously got in the way rather. There have also been a lot of Dungeons & Dragons-based video games released recently too, as well many gameplay series such as the one this show is based on.

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    • #2422145

      After my previous comment on an animated show recently released for streaming in Amazon Prime, I have now the perfect excuse to bring up possibly the best loved of Miyazaki’s movies that is also really for 10 to 110, as well as one of the more cheering movies I have ever seen. Not that everything is nice and happy happy: there is drama that is very realistic, and depicted in a way that was very perceptive of Miyazaki. There are episodes of depression, being at odds with the world, fish-out-of-water confusion and getting over all that by growing up, quite true to life (I was a teenager myself once, so I know).

      Kiki, a young, 13-year old witch in a world where witches are accepted and have a useful role in society, leaves home and goes to a city she’s never been in, to spend there a period where young witches must practice on their own to become accepted as proper witches. Similar to the internship work of young doctors in hospitals before they are allowed to practice medicine. There she meets different kinds of people, in particular a woman who is an artist and becomes her friend. This movie is now thirty one years old and takes place in an idealized European city back in the fifties. But true works of art, like this one, never grow old.

      Here is a commentary on this movie illustrated with scenes from it, ending in an interview to a professor of Japanese studies at Tufts University who puts things in the right perspective:

      https://www.youtube.com/watch?v=Ar6wwU8S66s

      Kiki

      Streamed from Netflix (outside of the USA), from HBO+ (in the USA)

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      • #2423296

        To my previous comment, after giving more thought to its topic, I have decided to add the following:

        While the story is about a young witch that flies on a broomstick and, lacking other skills, starts an air-transported delivery service in the city she wants to, eventually, establish herself as Witch-In-Residence, and who has a black cat she talks to and answers back, that is not the most remarkable thing about the movie, even as impressive as the broom-flying scenes truly are. And, of course, of what an interesting and memorable character her artist friend is.

        The most remarkable thing about the movie is how natural everything else is: how ordinary, every day things work, how ordinary actions are performed, how people act and react to events and to each other. In this sense, it is also the most realized of Miyazaki’s movies, other than his last one (so far), “The Wind Rises.”

        This other movie is based on the true story of Jiro Horikoshi, the man who designed the Mitsubishi “Zero” naval fighter that the Japanese used to devastating effect in the Pacific Theater during WWII. It is the tragic story of someone that loved airplanes, became an aeronautical engineer, and had the sweetest engineering dream job: designing a beautiful revolutionary airplane that, unfortunately, was intended to kill people more efficiently than any fighter plane ever had:

        https://en.wikipedia.org/wiki/The_Wind_Rises

        I have mixed feelings about the story in this movie, but I think that Miyazaki, who loves airplanes and flying — probably because his father had an airplane factory and he grew up in this atmosphere where flying was ever present in conversation and in fact  — and a love for flying his movies clearly show, just could not resist using Jiro as the lead character in the story: someone equally possessed by the same passion, but that actually got to design and fly airplanes, and who lived in very difficult times:

        The movie starts with him traveling in a commuter train when the Great Kantö earthquake strikes, in 1923 — destroying much of Tokyo and neighboring towns, and that he saw happening from his train carriage — and it finishes during the war, with him hiding from the military dictatorship’s secret police, soon after the death of his recently married wife of tuberculosis.

        Several of Miyazaki’s movies have flying: fantastic, realistic and in between. Personally, my favorite is one I think is not appreciated enough: “Porco Rosso”:

        https://en.wikipedia.org/wiki/Porco_Rosso

        With the main protagonist being cursed with a supernatural transformation from man to pig, and from a WWI fighter pilot ace to a flying, body-hunter pig at that, taking place in the 1930’s, as WWII approaches, plus him fleeing and frustrating the secret police of the Italian fascist dictatorship, also with air pirates, dogfights and a big helping of, for lack of a better word, big-hearted feminism, for me this mix is just irresistible. And also with a scene that is a sobering, moving, metaphysical allegory of the irredeemable disaster that war always is:

        The eternal parade of the downed pilots.

        The.eternal.parade.of_.the_.fallen.pilots

        Streaming from Netflix outside the USA, from HBO Plus in the USA.

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        • #2423306

          An airplane flying pig. A bright red airplane. Hence the name “Porco Rosso”, or “Red Pig.”

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    • #2422153

      The Orbital Children animated Japanese tv series.

      “The story takes place in the year 2045 in outer space, where AI, the internet and social networking sites are widespread. A massive accident occurs on a newly opened Japanese commercial space station, and a group of children are left behind. With no hope of rescue from adults, their lifeline is a barely surviving narrowband, a social network, a free application of low-intelligence AI and a drone controlled by a AR-based mobile device called “Smart”. Will they be able to use these tools to survive the crisis?”

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      • #2422225

        Point of interest: “The Orbital Children” is available for streaming in Netflix

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    • #2423420

      Metropolis (2001)

      “Metropolis is a visually stunning, rich, and memorable pleasure. It’s contributors have brought us other classics such as Astroboy and Akira. The story takes place in the muti-leveled, fascinating, megalopolis called Metropolis. Metropolis is loosely ruled by Duke Red, who is close to presenting his ultimate work, an advanced AI robot girl named Tima. His son; however, is an opponent of AI and resents Tima. Tima finds herself deep within the labyrinth of Meteoplolis. She befriends the kind son of a police officer and begins exploring her new world. When Duke Red’s son separates this new friendship, he puts much more at risk than anyone thought possible”

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      • #2423454

        I’ve heard of it. It seems it is not available for streaming, only on DVD and Blu Ray.

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    • #2428055

      “The Dragon Prince” is an animated fantasy series in Netflix that had its 3rd and latest season in late 2019, and since then, because of covid and some agitation involving what now seems to have been unproven accusations of “creating an abusive environment” for women working on this show made against one of its main creators, has not had yet completed the making of its 4th season, although last year Netflix renewed it for another four seasons:

      Trailer of Season 2: https://www.youtube.com/watch?v=uc2gmVTb6-k

      https://en.wikipedia.org/wiki/The_Dragon_Prince

      Excerpt:

      The series has earned critical acclaim for its story, themes, vocal performances, animation, and humor. The first season premiered on September 14, 2018. Season 2 followed in February 15, 2019, and Season 3 in November 22, 2019. The series has been renewed for four additional seasons, each with nine episodes.

      It is perhaps the most successful animated series since “Avatar, the Last Airbender”, judging by its enduring success with the audiences even after such a long hiatus. So, not surprisingly, its fourth season’s likely release date, contents, etc. have been discussed and even “announced” repeatedly online, in statements completely unsupported by facts, totally made up by its seriously famished fans. Like the mirage visions of starving and thirsty travelers lost for already way too many days in a bone-dry desert, wandering under a blazing sun.

      I should notice, however, that the three seasons already available for streaming from Netflix comprise a virtually complete story arc, except for a very brief sequence at the very end of the last episode hinting at further developments in another season, so if the series were never to be finished as planned, one could still watch what has been released already as if it were a fully completed story.

      Now this series likely release might start to be reported on the basis of more concrete facts, as the following article seems to be based on. And as I hope it is, because I really would like to see this show’s Season 4, as it is one of the very few things being sequentially streamed these days I would care to continue watching, or to watch again:

      https://netflixlife.com/2022/02/05/dragon-prince-season-4-not-coming-netflix-feb-2022/

      Excerpt:

      In a recent statement, Netflix also confirmed to fans that The Dragon Prince season 4 is “currently in full production.” The streamer added:

      “At this point, the scripts for all nine episodes have been written, we’ve recorded the entire season with our amazing voice actors, storyboards and animatics are complete, and we’re now in the process of fully animating each episode with our partners at Bardel Entertainment.”

      While this is very positive news, we still have a while to wait until production is fully complete on the series, after all the detailed animation takes a while!
      Does The Dragon Prince season 4 have a release date?

      Per Netflix’s statement, it’s “too early” to share an official release date for the fourth installment given that they’ve not finished production yet. However, with them looking to wrap up development “sometime in late 2022 at the earliest,” we expect the fourth season to be released on Netflix at the earliest in 2023.

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    • #2431312

      Frozen II : Sometimes second parts are better than first ones.

      I saw Disney’s “Frozen” soon after it came out in 2013 and was impressed by the visuals, in particular the Ice Queen’s palace of … ice. The story had its charms, and the music and singing, perhaps a bit excessive, but OK.

      Then, six years later, came the sequel, Frozen II, and the reviews were in general agreement that it was OK, not better and in some ways a let down compared to the original movie.

      I did buy the streaming version from Amazon, but did not watch it until today. Yesterday I watched again “Frozen” and decided to finally find out what was that I had bought two years ago.

      I was completely surprised by what I saw: this is a very different movie from the first one.

      Gone the, to me, rather cloying cuteness of the original movie; some new really good songs, but fewer and more naturally occurring in the story. And this movie has mystery, magic, true love and drama like the first one did not really have. Also a more imaginative series of events. It is a very different creature and, to my taste, a better one.

      In particular, there is the stunning sequence of Queen Elsa, the Ice Queen, meeting, taming and then riding a magical wild horse made of ice at full gallop over the waters of a stormy sea she must cross. This is not the only sequence I would call stunning. But is the one that would stick in one’s memory long after the movie ends.

      How much better than the original? Well, I would say good enough to qualify as a great animated movie. Period.

      It does have a Happy Ending, that much is predictable since before the opening titles. But what matters here is how one gets to this ending: with this movie it is truly the journey and not the destination that matters.

       

      Queen Elsa meets the ice horse in the deep:

      frozen2-Elsa.meets_.Ice_.horse_

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      • #2431581

        I forgot to add to the above that none of Disney ‘s movies with stories “based on”, or “made after” any of Hans Christian Andersen’s stories (*) has anything to do with those stories, except for some passing visual resemblance and the main character’s epithet.

        In the case of both “Frozen” and “Frozen II”, they approximately have only in common with the story of “The Snow Queen” a character referred to as “the Ice Queen” that lives, or has lived (in the first movie), in a palace made of ice, somewhere in the Arctic wilderness.

        In Andersen’s tale, she is a nasty and powerful witch, or evil magical creature everyone is terrified of, that kidnaps little children and takes them to her freezing cold ice palace where they get sick and die. Not exactly what Queen Elsa, a.k.a. “the Ice Queen”, is like in these two movies:

        https://en.wikipedia.org/wiki/The_Snow_Queen

        (*) With the one exception of a short animated movie based on the very sad story of the Little Match Girl.

         

        The Snow Queen takes little Kay to her frozen palace:

        The_Snow_Queen_by_Elena_Ringo

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    • #2433950

      After much unexpected trouble setting up a 7-week trial subscripti0n to Apple TV+ , because the information in my Apple account included a credit card with an expiration date from the last time I updated this account, back in the Paleolithic, I finally got my wish, that was to get to see the latest movie (released in 2020) from the excellent Cartoon Saloon Irish animation studio: “Wolvewalkers.”

      Having got my wish, I must tell you this is one of the finest, most engrossing and beautifully drawn animated movies I have seen in a very long time. It is, as the other best known movies from Cartoon Saloon, based on old Irish folk legends.

      The time is back in the 1600’s in a bit of alternate history, because the big walled city where the story is partly centered (the rest is in the largely primeval forest nearby, where the wolves in the story live) is under the rule of a “Lord Protector” and, as far as I now, the only ruler by that name in the history of the British Isles was Oliver Cromwell, Lord Protector of England, Scotland and Ireland (Wales was not in the list, because it was officially part of England at the time), and none of the events in the story correlate with his life and times. But, really, who cares?

      The Lord Protector has at his service another Englishman as the Official Hunter, whose present job is first trapping wolves and then killing them. He has a daughter that is bored because of having to be always at home, under a curfew decreed by the Lord Protector on children being outdoors, to protect them from being attacked by wolves. In fact, the whole population is scared of wolves and all enthusiastically in favor of their being hunted and killed to the very last one, burning down their forest if need be.

      One day the Hunter daughter escapes house and city, armed with a crossbow, determined to go hunting wolves herself, after his father (who loves her dearly but never listens to her) has refused one more time not to take her hunting with him. In the process she stumbles in the forest with a pack of wolves sleeping together and among them a girl about her age that wakes up and tracks and catches her: she is a wolfwalker, a magical creature that is a wolf by night and a human by day. This is not the same as the traditional lycantrophy, the werewolf legend, because the girl, for example, is more like a feral human during the day and a regular wolf pack leader at night and is not a monster. Eventually both girls join forces to try to rescue the wolvewalker girl’s mother, who has been captured and is being kept by the Lord Protector in his castle in her wolf form, where he is trying to tame her in order to show her off as a submissive creature he has under control to reassure the people at a public rally.

      The rally happens with the unexpected, dramatic and highly watchable events that constitute the rest of the movie.

      Wolvewalkers

       

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      • #2434125

        Actually the movie’s name is “Wolfwalkers.” By the time I realized my mistake, it was too late to edit the comment and correct that. Sorry. That can happen when I am trying to do several things at the same time.

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    • #2433991

      Turning Red (Disney/Pixar)

      “Mei Lee (voice of Rosalie Chiang) is a confident, dorky 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter – an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren’t enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda” (IMDB)

    • #2433992

      The Midnight Gospel (2020, Netflix)

      “Clancy, a spacecaster with a malfunctioning multiverse simulator, leaves the comfort of his home to interview beings living in dying worlds.”

    • #2435516

      Mad God.

      This is NOT animated movie for ages ten to hundred.
      This movie is for those with strong stomachs.

      “Mad God is a stop motion animated film written, produced and directed by Phil Tippett.[2] Completed in 2021, the film was filmed over a period of 30 years

      “An Assassin shrouded in a jacket and gas mask descends in a diving bell to the ruined world depicted in his map. His map deteriorates along the way.

      Travelling through mutant lands, past captive electronic torture victims and other horrors, he eventually comes to find the city behind enemy lines. Nameless, faceless drones are ruled here by a baby-babbling monstrosity with filthy teeth and seared flesh. The assassin halts for a moment here, pondering whether or not to take an ally, before he decides to escape while he can and descends into the bowels of the city, leaving a drone to be killed for walking away from the others….”

      Phil Tippett (born September 27, 1951) is an American movie director and Oscar and Emmy Award-winning visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation.[1][2] Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio. His work has appeared in movies such as the original Star Wars trilogy, Jurassic Park, and RoboCop. He is currently involved with his ongoing Mad God stop-motion series, which were funded through Kickstarter.

      I watched the movie yesterday and was very impressed with the animated work invested, the imagination scope…very very unique one of a kind movie.
      I am keeping it in my movie library of best movies.

    • #2436150

      Apollo 10½: A Space Age Childhood

      “The story of the first moon landing in the summer of 1969 from two interwoven perspectives. It both captures the astronaut and mission control view of the triumphant moment, and the lesser-seen bottom up perspective of what it was like from an excited kid’s perspective, living near NASA but mostly watching it on TV like hundreds of millions of others. It’s ultimately both an exacting re-creation of this special moment in history and a kid’s fantasy about being plucked from his average life in suburbia to secretly train for a covert mission to the moon.”

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    • #2437454

      “How To Train Your Dragon”, the first of the three movies from this franchise of DreamWorks Animation, is now available for streaming from Netflix.

      As is already the second movie, thoughtfully named “How To Train Your Dragon 2.”

      Only the third and, so far the last one, is not yet in Netflix. (*)

      As well as those two movies, there were two series of three seasons each, available from Amazon on DVD, covering the successive adventures of the main characters while they were still children living in their post-HTTYD-1 small Viking volcanic island-city of Berk, and followed, in turn, by six seasons of a show covering their adolescent years before the events in the second movie, this series being called “Race to the Edge”, also available from Netflix. There are also several short stories on Netflix, three of them collected under the title of “How To Train Your Dragon – Legends.”

      These movies and shows are all beautifully animated and unusually realistic, for example in what respects to the physics of objects in motion; particularly notable being all the flying scenes where the characters ride their dragons across the skies to go somewhere, usually to battle dragon hunters that want to capture dragons to sell them to whoever buys dragons, something never fully explained, but who cares.

      These movies and shows all have great 3-D animation, meaning that objects are seen in the round, that is often quite beautiful, as well as engaging characters, both human and dragon, highly imaginative plots, with very good and often witty dialog, that is likely to be appreciated by older children and, definitely, by adults.

      In short: This is great fun to watch and I do recommend it with as many imaginary stars as I can give here to any great animated show.

      (*) The third, and last, full-feature movie (How To Train Your Dragon The Hidden World) is available for streaming  from Amazon Prime, Apple + and Hulu.

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      • #2437585

        And one more remarkable fact about the three HTTYD movies: Cate Blanchett is in the second and third, giving  voice to Hiccup’s mother:

        https://en.wikipedia.org/wiki/Cate_Blanchett

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    • #2438856

      Only for adults : 50 years today for Fritz the Cat (April 12, 1972).

      https://www.youtube.com/watch?v=0YKEA7zRMEY

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      • #2438949

        Thanks, Alex: This brings back memories of another time, when people were less concerned about being “proper”, or inclined to self-censoring to avoid shocking overly-sensitive others, but more uninhibitedly creative.

        Definitely for ages 18 through 110.

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    • #2439040

      “April and the Extraordinary World” is a 2015 collaboration between French and other European movie studios, now available (dubbed in English), on DVD and Blue Ray — a streaming version can be bought from Amazon Prime — that I cannot recommend enough: witty, with some charming characters and some not so charming ones, full of surprising action. With an alternate history where the French-Prussian War of the 1870’s never happened, because Napoleon III, while trying to get an army of mutant super-soldiers created at a secret genetically engineering military lab, foolishly ends up causing an explosion there that takes him out and gets him replaced as Emperor by a young man that negotiates a peace treaty with the Prussians, so peace endures, France is not humiliatingly defeated, but French politics do not go through a return to democracy.

      And then the top scientists all over the world start disappearing and without them science and engineering stop progressing and technology gets stuck in the pre-electricity, pre-oil world, where almost everything mechanical is driven by steam engines powered by coal, so people must endure a heavily polluted air and, in France, an authoritarian political system as well. When coal gets hard to find, forests are cut down to make charcoal as a substitute. Once France is deforested because of that, its government sets its sights across the Atlantic, on those woods still standing in North America, and war for this precious resource starts to look likely.

      A young girl called April and her scientist parents and grandfather work on an elixir of eternal life and might just have succeeded getting it right, when the police breaks in because they stand accused of not contributing to the coming war effort. Later on, all alone and by herself, April will continue trying to develop the elixir.

      There is also a cat that talks, a house that travels as a land and water vehicle, the last tree in France, the attack by a mysterious force on April’s parents resulting in their disappearing while trying to escape the French police by train to Germany, also space travel and more. With intelligent mutant reptiles, created at the genetic engineering lab blown up by Napoleon III as a result of his very last, but not very thoughtful act, two of which managed to escape, surviving the lab explosion, and now, with their children, are out to dominate the world. There is that and much more in this intelligent, at times trilling, straddling both the alternate-history and the steampunk genres, brilliant and enchanting movie:

      https://en.wikipedia.org/wiki/April_and_the_Extraordinary_World

      In Rotten Tomatoes it has received a 97% approval out of 59 movie critic reviews, and 77% from 5000+ people who saw this movie.

      Trailer:

      https://www.youtube.com/watch?v=zUOeADA1prU

      (The original French title’s correct translation is “April and the Tricked World”, but it got changed, maybe following a recommendation from some company lawyers, I would guess.)

      April.and_.the_.extraordinary.world_

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      • #2439258

        A correction to the comment above:  “April and the Extraordinary Word” is a French – Belgian – Canadian co-production.

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    • #2439362

      Green Eggs and Ham. (Netflix)

      An animated series based on the popular Dr. Seuss story “Green Eggs and Ham.”

      “On a road trip to save an endangered animal, polar opposites Guy and Sam learn to try new things like friendship — and a certain delectable dish.”

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    • #2439787

      Ronia

      Ronja, the Robber’s Daugher.

      Based on one of Astrid Lingren’s children’s story by the same name, a writer who was also the author of the widely known “Pipin Lognstockings”, this is a 2014, 26-episodes TV series produced in cooperation by several organizations, including Studio Ghibli, where most of the animation work was done in its typical cell-painted, clear-line style, and directed by Goro Miyasaki, son of master animator Hajao Miyasaki.

      This very fine work is a most fitting end, or was up to that point, of Studio Ghibli’s series of animation masterworks, of which this was expected to be the last one (but perhaps not, as 80-year old Hayao Miyasaki is now, again, back out of retirement and working on one more movie.)

      Trailer:

      https://www.youtube.com/watch?v=7IGsyhQIbGU

      Her birth, during a terrible storm, with harpies:

      https://www.youtube.com/watch?v=sarrshbPGr8

      https://en.wikipedia.org/wiki/Ronja,_the_Robber%27s_Daughter_(TV_series)

      This is an at times funny, scary, exhilarating, magical and deep story that has as much to say about human life and what matters in it, as it has to do with the magical creatures, good and evil, that were believed to live in the deep forests of medieval Scandinavia.

      This series used to be available for free to Amazon Prime subscribers, but no longer. Now, to see it, one has to buy it. It is not the cheapest video out there, but is not that expensive either, and to me, worth every cent.
      The reason I love buying movie DVDs and now also streaming videos, is that these allow me to have and keep at home (or in video-streaming companies’ servers, as in this case) real masterpieces for just a few dollars apiece.

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    • #2440599

      The work of the Canadian animation film maker Sylvain Chomet includes “The Triplets of Belleville”, and “The Illusionist.”

      Both are superior works with unusual stories and story twists. The first was nominated for an Academy Award, the second one won an Oscar:

      https://en.wikipedia.org/wiki/Sylvain_Chomet

      Of these two, “The Triplets” is my favorite, because of its mix of weird, even bizarre comedy, intrigue, suspense and action, with unforgettable characters, the triplets in particular. Also with a satirical commentary on certain aspects of USA society.

      The triplets had once a famous musical act that eventually became passé, they could not get enough work anymore and fell in hard times. But they stuck together and managed to keep themselves cheerful in their diminished circumstances. So theirs was rich-to-rags story, with them determined not to let this get them down, and succeeding.

      Then there is a resourceful old Portuguese lady Madame Souza, her bicycle runner son and their old dog. They lived in a nice old house in Paris, until the government decided to build a freeway bypass right next to their house. The house was left standing, with them still living there, but the constant noise of the traffic was a problem.

      Then the son got kidnapped by the Mafia when he was running in the Tour de France (*), and she and the old dog went off to follow their track, eventually sailing across the Atlantic, where she ended up meeting the triplets. Together they worked to rescue her son. They shared with her and her dog their small apartment, in a definitely not very nice building, and they also shared with both their meals, consisting of frogs for entry, main course and desert. This amphibian fare being caught by them in a not legally correct way from the nearby river.

      This is the clip where the aged triplets make a come back with an all-new act, at a top nightclub favored by the Mob, with madame Souza playing percussion, where they are also in a secret sleuthing mission. Mme.’s Souza dog is also with them, although not stealthily enough:

      https://www.youtube.com/watch?v=Ma57kSzKIoE

      (The movie, originally in French, is doubled to English and Spanish. Available, for buying the DVD or the streaming version, at Amazon Prime.)

      https://en.wikipedia.org/wiki/The_Triplets_of_Belleville

      (*) According to a woman that used to do along-the-track commentary of the Tour de France while following the runners from atop a truck, the bugs that stuck to her glasses were a real on-the-job inconvenience.

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    • #2441682

      “Song of the Sea” is the second movie of the “Irish Trilogy” of “Cartoon Saloon Studios”, in Kilkenny, and as the other two films, the creation of the studio founder Tom Moore who directed it. Inspired in ancient Celtic and Norse legends and set in Ireland of the Middle Ages, the modern era and the late Renaissance, respectively, these hand-drawn animation movies are, in the order in which they were made:

      The Secret of Kells (2009), Song of the Sea (2014) and Wolfwalkers (2020).

      The story in “Song of the Sea” is that of a family consisting of the lighthouse keeper Conor, who lives with his wife Bronagh and his son and daughter Ben and Saoirse in a lighthouse atop a high cliff, on the coast of Ireland. Then there is Conor’s mother, “Granny” to the children.
      Saoirse is mute and learns to play a seashell belonging to her older brother, with holes like a flute. Unbeknown to the children, the melody and the sea shell are magical, with the power to liberate ancient spirits imprisoned in rocks by an equally ancient witch called Macha. The mother turns out to be a selkie, a shape-shifting creature that can turn into a seal and back into human form.
      Some time before, she had given the seashell-flute to her son Ben who tries, ineffectively, to keep it from being used by Saoirse. Eventually, having been born from a man and a supernatural sealkie, she is revealed to be half human and half sealkie. There is a magical white coat she will need to wear to prevent her from dying, that used to be her mother’s and her father threw into the sea the night she was born on the seashore, before her mother went back to the sea, when he found out what had happened and tried to get his wife to come back, unsuccessfully.
      The children are taken from the lighthouse to her grandmother’s house, who is convinced the lighthouse is a bad place for them to grow up in. They escape and try to get back to their home by the sea, accompanied by their big Irish shepherd dog Cu, in a journey full of adventure and encounters with ancient spirits still remembered in old folk tales and legends.

      This is an animated movie beautifully illustrated in the elegant stylized way that is characteristic of Tom Moore’s movies. But more than that, this is a gentle, but moving poem told in pictures, music and songs:

      https://en.wikipedia.org/wiki/Song_of_the_Sea_(2014_film)

      Excerpt:

      Early reviews were overwhelmingly positive. Todd Brown, founder and editor of Twitch Film, gave a highly positive review of the film, saying that “a tale that weds absolutely gorgeous artwork with beautifully nuanced characters and a deep but natural rooting in ancient folk tales and magic, Song of the Sea has an assured and timeless quality to it. It is the sort of story that feels as though it always existed somewhere, just waiting until now to be told”. “Song of the Sea is not about selling units, it’s about story and heart and emotion and wonder and craftsmanship and because of that it becomes timeless, a beautiful piece of art that will delight audiences old and young and confirms what many suspected of Moore after Kells: The man’s a master storyteller, and we can only hope he has many, many more stories to tell.

      On reviews aggregation website Rotten Tomatoes, the film has a Certified Fresh approval rating of 99% based on 97 reviews, with an average rating of 8.40/10. The site’s critics’ consensus reads: “Song of the Sea boasts narrative depth commensurate with its visual beauty, adding up to an animated saga overflowing with family-friendly riches.” On Metacritic the film has a score of 85 out of 100, from 24 reviews indicating “universal acclaim”.

      Writing in the Toronto Review, Carlos Aguilar said of the film: “Watching Song of the Sea it is easy to assert that this is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic”.

      Sara Stewart from the New York Post said “If you want some real cinematic magic this holiday season, don’t miss this enchanting Irish film about a pair of siblings and a piece of Celtic folklore that turns out to be true”.

      Animator Ken Priebe compared the film to the works of Hayao Miyazaki, such as Spirited Away.”

      Allegory of Sairse and her family in their enchanted world:

      Saoirse.and_.family

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    • #2443273

      And this is for one of the lesser Pixar’s movies, in the opinion of critics, but one I am very fond of, because of the adventurous young main character and of her both amusing and thrilling story, she a princess of an ancient Scottish kingdom with a mind of her own and a fiery red head of hair:

      “Brave.”

      And because it is great fund to watch.

      (Available to stream from Amazon Prime.)

      Riding a charger horse at full gallop and shooting at targets with unfailing aim: one of her ideas of fun.

      Brave

       

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    • #2443388

      The Bad Guys

      “Never have there been five friends as infamous as The Bad Guys -dashing pickpocket Mr. Wolf, seen-it-all safecracker Mr. Snake chill master-of-disguise Mr. Shark, short-fused “muscle” Mr. Piranha and sharp-tongued expert hacker Ms. Tarantula, aka “Webs.” But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good. Under the tutelage of their mentor Professor Marmalade, an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become… The Good Guys?”

      The DreamWorks animation movie borrowed some scenes from Oceans 11, Ronin, Bullet, Blues Brothers…overall fun movie.

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      • #2443442

        If it is from “DreamWorks” it can’t be really bad. So here one gets to stream it from? Or it is available only on DVD? (My two options, as Macs don’t do Blue Ray natively and third-party BR devices for the Mac are said to be all iffy.) And it borrows from “The Blues Brothers” no less? That’s remarkable.

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        • #2443457

          More about “The Bad Guys”, and it is all looking good:

          https://www.thewrap.com/the-bad-guys-streaming-online-theaters-where-to-watch/

          Is “The Bad Guys” Streaming?

          Excerpt:

          Not right away. The film is being released by Universal Pictures exclusively in theaters, but it will be streaming on Peacock 45 days after it hits theaters – so around June 6 is when it’s expected to land on the streaming service. Then after four months on Peacock, “The Bad Guys” will be streaming on Netflix – so around October of 2022.

          https://en.wikipedia.org/wiki/The_Bad_Guys_(film)

          According to this article in Wikipedia, this movie has an 83 % positive rating based on 143 professional movie critics’ reviews in Rotten Tomatoes and has already won the “Truly Moving Picture” award at the 2022 “Heartland Film Festival” in Indianapolis.

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    • #2443501

      Less than good news:

      “The Castle of Cagliostro”, the first of Miyazaki’s great films entirely under his direction, is leaving Netflix on May 14th, so there are less than two weeks left to see it there as many times as they wish, to the subscribers of this streaming site.

      One shall still be able to buy this movie on DVD — and also for just 4 US$ to stream it from: Amazon Prime, Apple TV +, Vudu and YouTube.

      So it is not as bad as all that. A shame, nevertheless.

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    • #2443528

      Is “The Bad Guys” Streaming?

      Excerpt:

      “Not right away.

      Strange. Torrent sites have copies ripped from Amazon streaming(4K):
      The Bad Guys 2022 2160p AMZN WEB-DL x265 10bit HDR10Plus DDP5.1

      • #2443670

        Alex, I just checked in Amazon Prime: that is a live action movie by the same name, not the animation one.

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    • #2443685

      Alex, I just checked in Amazon Prime: that is a live action movie by the same name, not the animation one.

      The file in my post is the new animated 2022 movie.
      You can even get subtitles in various languages under the Amazon versions (web-rip, web-dl..are streaming ripped videos)

      Amazon may be streaming in other countries not in US.

      • #2443746

        Alex: If you are correct, then this is a real poser. Could this be a pirated version?  Bit-torrent is not exactly the most reliable distributor of legal content known to Man.

        In the USA and also world-wide, “The Bad Guys” is now being shown “exclusively in movie theaters” and doing very well financially, both in the USA and worldwide at the box office (except in Russia, where the movie was pulled out by Universal that is the movie’s distributor), so the people responsible for its release in various media are not going to allow a competing form of distribution until this one ends. The steps they’ll follow were outlined in a press release explained in an article in the usually well-informed site “The Wrap” and also in the movie’s Wikipedia article, both of which I’ve linked to an earlier comment in this thread here: #2443457 .

        According to these articles, in the US at least, it  will be streaming from Peacock in June, after its run in the theaters is over, and then from Netflix, “sometime in October.”

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    • #2443825

      Could this be a pirated version?

      Of course it is a “pirated” version recorded from Amazon’s tv streaming (web).
      Amazon’s servers weren’t hacked.

      • #2443989

        Curioser and curioser. Lets take one thing at the time:

        As already explained, Amazon here in the USA is not distributing this movie, but another older one by the same name with live actors that has nothing to do with it.

        It does not make sense for Amazon, wherever this “Amazon” is, to get permission to broadcast the movie sooner than its worldwide distributor, Universal, has announced it plans to allow it.

        So if this is the animated movie, the real Amazon should not have permission to be distributing it right now. If streaming by the real Amazon is the origin of what Bittorrent is broadcasting over the Internet, that would put Amazon in obvious violation of copyright law and umpteen other laws against this sort of piracy. As mentioned in those warnings from the FBI and some International Agency that come up before the start of a DVD movie. Amazon’s lawyers should be well aware of this, so why would Amazon risk getting into some trouble for just this one movie they’ll be free to stream in October?
        Because if this came from the real Amazon that happens to be streaming it already in some country, then Bezos and whoever runs Bittorrent could both end up, theoretically, sharing a small cell in the Big House.

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    • #2444022

      So if this is the animated movie,

      It is the real animated movie.

    • #2444491

      Studio Ponoc, in Japan — formed seven years ago, in 2015, by animators that had worked with Miyazaki and Takahata at Ghibli, when this famous animation studio stopped producing feature-length animation in 2014 with “When Marnie Was There”, followed by their, so far, very last work, the 26 episodes of “Ronja the Robber’s Daughter” — started its still short life with a real Ghibli-worthy big bang of a movie: “Mary and the Witch’s Flower”, in 2016, based on a novel by the British writer of children’s stories Mary Stewart.

      The next work released by Ponoc was “Modest Heroes”, in 2018, consisting in a series of short fantasy stories.

      Then … nothing for four years.

      But now the news has come out that the Ponoc animators are at work in a new and second full-feature movie called (at least for now) “The Imaginary.” It is about a girl’s imaginary … friend? ghost? The release date, after the initial one planned for last year was delayed because of the pandemic, is not known yet.

      This article outlines the movie and also the short story of Studio Ponoc:

      https://collider.com/the-imaginary-trailer-anime-movie-studio-ponoc/

       

      “Mary and the Witch’s Flower” still showing Ponoc’s Ghibli-like style of mostly hand-made cel-frame pictures, with “clean-line” drawn characters framed in elaborate and gorgeous backgrounds:

      Mary.and_.the_.witches.flower

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    • #2444578

      Apple tv+ : Snoopy Presents: To Mom (and Dad), with Love

      “Mother’s Day is almost here, and everyone in the Peanuts gang is excited, except for Peppermint Patty. For her, it’s a reminder that she didn’t grow up with a mom. But good pal Marcie helps Peppermint Patty see that families come in all shapes and sizes. Snoopy also tags along as Woodstock tries to find his mom.”

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    • #2445028

      “Tangled” is a Disney story based — very loosely — on the Grimm brothers’ tale of “Rapunzel” (the German name of a kind of lettuce, by the way), about a young maid by that name kept by a witch in a tower after taking her as a baby from her poor and half-starving parents, in revenge from them stealing lettuces from her vegetable garden. This maiden grew into a very beautiful blond with extremely long hair that the witch used as a sort of elevator for getting in and out of the tower. One day, actually the day of her 18th birthday, a Prince came by, saw the hairy Rapunzel elevator in operation, lowering the witch to the ground, Somehow, after she was gone in some errand, he managed to use the hair to gain access to the interior of the tower. Rapunzel liked the hansom interloper so much that she got pregnant, and things went downhill from there. I seem to remember that, after many years apart and many bad things happening to them, they found each other, got back together, she the Prince and their child, and lived OK for a while.

      Well, “Tangled” is not much like that at all, except for the maiden Rapunzel, that in the movie is a Princess kidnapped by a witch that then pretends to be her mother, and keeps her in the tower having convinced her that the world is too dangerous for her to leave the tower. Her uninvited gentleman caller is a bandit, not a Prince, she does not get pregnant, and her hair, besides being really, really long, yards and yards of it, has magical properties that heal and rejuvenate, and that is the main reason the witch keeps her in the tower. The maiden is her ticket to eternal youth.

      Anyhow, this is a good Disney movie that debuted in 2010. It was at the time a remarkable demonstration on the advances in animation that made it possible, particularly in the natural movement of the human body, of clothes — and of hair.

      One of the most memorable characters is a horse called Maximus. I do not mean this as a put down: This horse alone makes seeing the movie worthwhile.

      To me this movie is a special one, because it has, besides the inevitable songs (not bad, but not that great either) some memorable parts, two in particular: a dance in a town square and a release of sky lanterns that rise higher and higher in the night air lifted by the hot air from the candle burning inside each and glowing with a diffuse gold light through the envelope, on the anniversary of the Princess kidnapping. The maiden/Princess does not know that, but she has seen the lanterns from her tower and always wanted to see them in person and close by. She gets her wish, and more, with help from her interloping bandit. Both finally end up in a boat in a harbor near the the royal palace, her presence there unknown to her parents, the King and Queen. Who, after nightfall, together launch the first lantern from a battlement, giving the signal for thousands of them to be launched from the town below the castle, that perches high above it on a hill by the sea.

      What follows is several minutes of absolute cinematographic magic.

      https://en.wikipedia.org/wiki/Tangled

       

      Tangled

       

       

       

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    • #2448037

      DreamWorks’ animation movie “The Bad Guys” has good reviews and is showing in theaters right now while, oddly enough, it’s also already available for streaming “on demand” from Amazon Prime. But the price is rather steep both to rent and to buy: either way a bit too much for me to pay to watch a movie for the very first time. Probably after waiting for a month or two, the price might come down enough to consider paying to watch it, as it often happens.

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    • #2448096

      Chip ‘n Dale: Rescue Rangers on Disney+.

      “Thirty years after their popular television show ended, chipmunks Chip and Dale live very different lives. When a cast member from the original series mysteriously disappears, the pair must reunite to save their friend.”

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    • #2455847

      I have been going over, slowly this time, through what, at this point, I consider to be one of the most remarkable animation streaming/TV shows I’ve ever seen: “The Legend of Korra.” (Available for streaming from Netflix.)

      https://en.wikipedia.org/wiki/The_Legend_of_Korra

      This show continues the “Avatar: The Last Airbender” story, several decades after the main events in its predecessor by the same creators, DiMartino and Konietzko:

      https://en.wikipedia.org/wiki/Michael_Dante_DiMartino “King of the Hill”, “Avatar: The Last Airbender”, “The Legend of Korra.”

      https://en.wikipedia.org/wiki/Bryan_Konietzko “Avatar: The Last Airbender”, “The Legend of Korra.”

      Both shows (that I’ve commented on earlier in this thread) have gained a big and loyal following, which is easily explained by the highly imaginative quality of their stories, by its fine art work and interesting characters, both the serious and the wacky ones, the good ones and the villains, as well as by its truly remarkably and rare enough to be a perhaps uniquely balanced blending of humor and drama.

      “The Legend of Korra” retains many of the elements and ideas of “The Last Airbender”, but with an entirely new cast of characters, except for three still alive and now fairly old: Katara, Toph and (now retired) Fire Lord Zuko, as well as the now spiritual presence of the no longer living, but as wise, non-judgemental and understanding as ever, General Iroh, Zuko’s uncle.

      The show is about the adventures of older teens and young adults and their interactions with  the adults guiding or confronting them, and thus aimed at an older demographic than “The Last Airbender”, although equally as enjoyable to people much older.
      Both shows are about the personal growth of the main characters, particularly of the corresponding Avatar, during each series.

      What makes “Korra” particularly interesting to me, is that along with the magical and supernatural aspects of the story, there are also some characters with believable personalities and situations in life that are common to most of us, presented with a depth and perceptiveness unusual for a Young Adults cartoon show, as well as leavened with some very good and unobtrusive touches of humor.

      One thing that I think needs some explaining is that in “Korra” at the end of Season 2, in her final battle with the great Dark Spirit Vaatu, who is out to submerge the world in 10,000 years of darkness, both spiritual and material, she has her supernatural connection with all the previous avatars, each same as her a reincarnation of the previous one and also her spiritual guides at crucial times, broken irreversibly by Vaatu.
      There is a good reason for this break, much criticized by fans, because as a result of this, she becomes the first Avatar in a new Age of the world, the first of a new series of Avatars, something that is quietly hinted, not shouted, at the audience, leaving those in it to figure this out by themselves.

      And thus leaving ajar the door for a third “Avatar” series … ?

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    • #2456608

      Re-watch “The Legend of Korra.” last month.
      Agreed, remarkable animation and story.

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    • #2457637

      Baymax! 6 episodes series aired on Disney.
      This is a spin-off the excellent Big Hero 6

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      • #2457714

        Alex, I thought when browsing the Apple site I subscribe to now, it would be an spinoff. I haven’t seen either Big Hero 6 or this one and you just brought this to my attention, so I’ll try to remedy this one of these days. Both movies, I believe, are Pixar’s and, therefore also Disney’s.

         

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        • #2457868

          Oops! I meant to write that when browsing “Disney” …, but wrote “Apple” (TV) instead …

          So: it is Disney.

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    • #2457720

      Perfect Blue (Japanese movie, now available for streaming from Amazon Prime, dubbed in English.)

      https://www.imdb.com/title/tt0156887/

      A pop singer, pursued by a seemingly deranged fan, or perhaps she’s being “gaslighted”?, goes gradually insane.

       

      Paranoia Agent (originally a Japanese TV series, now streaming from Amazon Prime, also dubbed in English.)

      https://www.imdb.com/title/tt0433722/

      https://en.wikipedia.org/wiki/Paranoia_Agent

      A mysterious serial random attacker running around in skates and brandishing a bent golden baseball bat as a weapon, the so nicknamed “Little Slugger”, assaults with grievous bodily harm some people in Tokyo and is soon the subject of exaggerated rumors and more, running though the general population as compelling if unfounded gossip, creating a general state of apprehension bordering in panic.
      Among other things, this is also a perceptive study of the psychology of masses and, as usual with Kon, with reality and illusion battling for supremacy in people’s minds.

      Both made by the so-greatly talented promise for the intelligently creative and artistic future of anime, the prematurely dead and most regretted loss, the truly extraordinary Satoshi Kon.
      Author also of, among some other much prized works, of the movies “Paprika” and “Milenium Actress”, already commented in this thread.

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      • #2457850

        I forgot to add that both “Perfect Blue” and “Paranoia Agent” are available for streaming from Amazon Prime (at least in the USA). If purchased there, one has to pay according to the definition level of the stream, and in the case of “Paranoia Agent” I would recommend getting the cheaper, Standard Definition (SD) version, as given the way the images are drawn and colored in this series of 13 episodes, SD is quite enough and the more expensive High Definition (HD) version is unlikely to provide any significant visual improvement unless one watches this on a very large screen and very close to it. As for “Perfect Blue”, in HD  it should definitely look better.
        Another thing: the version of this movie in Amazon is not dubbed, but has a control that allows turning on subtitles in English. These subtitles are large and easy to read, but, from my experience watching it again last night, are not intrusive.

        Another Kon movie I have not mentioned yet, the somewhat more realistic (or rather “magic-realistic”) “Tokyo Godfathers”, about a small “family” of homeless people living together on the streets of Tokyo, keeping each others’ company there and for mutual assistance and also mutual protection against the kind of violence sometimes visited on defenseless, homeless people, that find an abandoned baby girl and “adopt” her until they find some way of putting this baby in better hands, more capable of raising her.

        This is also one of the great Kon movies and one I have not mentioned yet in this thread. This one is best bought in High Definition (HD), because the drawings and the colors in particular should definitely look better in HD than in SD. This is also true of “Paprika” (my favorite Kon movie) and of “Millennium Actress” (my second favorite one.) Both I’ve already commented on earlier in this thread.

        Trailer:

        https://www.imdb.com/title/tt0388473/

        And more about it:

        https://en.wikipedia.org/wiki/Tokyo_Godfathers

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        Sky
    • #2457904

      One of the great creative imaginations in anime, and animation generally, was that of the late Isao Takahata, the other guiding light behind their deservedly famous Studio Ghibli’s run of great movies that begun, in the late 1980’s with Miyazaki’s “My Friend Totoro”, a dramatic comedy where the main characters are two sisters, one a five year old and the other perhaps ten, that is also the most perceptive study of young children’s personalities I’ve ever seen.

      And a famous run that also begun with Takahata’s “The Grave of the fireflies.”

      Both movies are totally opposite in character, one being a magic-realist poem to life back in the 50’s, when the scars of the last disastrous War already had healed enough to make life pleasant for most people, if at a basic level. The other being about the terrible chaos towards the end of this war and in it’s immediate aftermath. And this second movie has one of the saddest stories, one that marks you, one that can be watched perhaps only  once.

      “My Neighbor Totoro” and “Grave of the Fireflies” were, due to problematic circumstances and to the subsequent dismay of the audience, premiered together in Tokyo one night in 1988, as a double feature, one right after the other, “Totoro” first. Then came the other and with it a shock that probably few sitting there ever forgot.

      “Grave of the Fireflies” begins with the image of a boy, barely a teenager, laying in rags on the floor of the lobby of a movie theater, or perhaps the entrance to a subway station, while people walk around trying not to get too close, as he is obviously in very bad shape, dirty and foul smelling. While one hears, in voiceover: “September 21st, 1945, that was the day when I died.” These words are spoken by the boy’s ghost.

      You get the idea.

      Well, this is a movie that, in my opinion, one must watch at lest once, in order to grow as a person beyond what one would have if not watching it.

      “Grave of the Fireflies” was based on the short story of the same name by novelist Akiyuki Nosaka, who lived through the fire-bombing of Kobe while he was a child. He lost two sisters to malnutrition, and his adoptive father was also killed. Writing this novel was an act of contrition for the extent that he felt responsible for such a family tragedy.

      It is one of the important masterpieces of animation cinematography, up there with the greatest: “Snow White and the Seven Dwarfs”, “Paprika”, Takahata’s last movie at the very end of his career and his life: “The Cane Cutter’s Daughter”, based on an old Japanese fairytale, the original “Pinocchio”, Miyazaki’s “Princess Mononoke”, and a few others, very few, in my opinion.

      It can be bought at and streamed from Apple TV+  by those that subscribe to this Internet channel.

      If you watch it: good for you and good luck with that.

      https://www.imdb.com/title/tt0095327/

      https://en.wikipedia.org/wiki/Grave_of_the_Fireflies

      https://www.rogerebert.com/reviews/great-movie-grave-of-the-fireflies-1988

      Excerpt:

      “Grave of the Fireflies” is an emotional experience so powerful that it forces a rethinking of animation. Since the earliest days, most animated films have been “cartoons” for children and families. Recent animated features such as “The Lion King”, “Princess Mononoke” and “The Iron Giant” have touched on more serious themes, and the “Toy Story” movies and classics like “Bambi” have had moments that moved some audience members to tears. But these films exist within safe confines; they inspire tears, but not grief. “Grave of the Fireflies” is a powerful dramatic film that happens to be animated, and I know what the critic Ernest Rister means when he compares it to “Schindler’s List” and says, “It is the most profoundly human animated film I’ve ever seen.”

      Watching this movie I understood that “animation” was not just for children. That any story can be told in this way, because this art form is capacious enough to convey any story that the human imagination can conceive.

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    • #2458296

      Last night I watched “Turning Red”, one of the latest Pixar movies, I believe.

      It is definitely intended as a crowd-pleaser, for children and for the whole family to enjoy. As I did.

      However I was also left with some serious nagging doubts about what is, at least, somewhat realistic and what is way not realistic in this movie about a Chinese-Canadian family haunted by a peculiar curse: the women turn into very large and at times seriously aggressive red pandas when under great stress.

      That I am sure is unrealistic.

      The mother is an obsessively overprotective one that pretty much stalks her young daughter (an 11 or 12 year-old) to make sure she does not do something that might be dangerous or inappropriate.

      And the daughter is unappreciative of so much — and sometimes very embarrassing — protection, but also faithful to de old Confucian ideal of being “a dutiful daughter” and so letting her mother get away with it without seriously complaining

      Of this I know for a fact that is realistic, having had, once upon a time, a lovely lady from Hong Kong as a girlfriend that told me all about this “dutiful daughter” business, of which she had been fully expected to be an active, perfect example by her elders and that was something she did not appreciate at all.

      What I find very strange and, quite frankly, hard to swallow, is another central conceit in this movie: that there are massive pop concerts, with steep ticket prices, attended mostly by 11- 12 year olds and where the performers are also 11-12 year olds.

      Question: Am I way out of touch here, or this happens only in Toronto?

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    • #2459011

      Two more Disney’s animation movies:

      “Big Hero 6” and “The Last Dragon.”

      Big Hero 6:

      Back in 2014 it won the Oscar for “Best Animated Feature” …. and I hated it, I hated it, I hated it for that.

      Because the award was given to a sort of superhero’s movie, a subject that I am usually very slow to get to watch, if at all.

      And on top of that, it won the Oscar instead of “The Tale of Princess Kaguya”, the final masterpiece of Isao Takahata, one of the truly great masters of animation and, therefore, of cinematography.

      I have been collecting, with my brand new Disney + subscription, a “Watchlist” of all the Disney full-feature animation movies that I have watched and would care to watch again, starting with “Snow White and the Seven Dwarfs.” And then I remembered that “Big Hero 6” is also a Disney movie, one recently brought back to my attention, in this thread, by Alex. So I put it in my Watchlist and proceeded to watch:

      https://en.wikipedia.org/wiki/Big_Hero_6_(film)

      https://www.imdb.com/title/tt2245084/

      Well, it is not a masterpiece and should not have won instead of “Kaguya”, but having said that, I must add that is is also a remarkably good work of animation; one that has the right mix of humor, suspense, thrills and spills to make it memorable. And therefore, one I can wholeheartedly recommend to anyone between 10 and 110 that wishes to spent some two hours of great animation movie watching.

       

      “Raya and the Last Dragon”:

      I saw this 2021 movie yesterday and my opinion of it cannot be more different than that on “Big Hero 6”:

      https://www.imdb.com/title/tt5109280/

      It fell flat for me, feeling — in spite of its gorgeous images and its fully animated characters, be them shown alone, in small groups, or in big, bustling crowds — as something uninspired, made by the numbers, suffering from low blood-pressure, in need of vitamins, unimaginative, cloyingly sweet and cute. With an Asian theme and, therefore, with predictable scenes of martial-arts fighting; also with an inevitable Hollywood happy ending that could be easily seen coming even when looking from somewhere as far and as inconvenient as the other side of the Moon. Kung-Fu Panda it is not, let alone classics such as Ang Lee’s “Crouching Tiger, Hidden Dragon”, or King Hu’s “Dragon Inn”, or Robert Clouse’s “Enter the Dragon” with Bruce Lee.

      So there are dragons and, then again, there are dragons.

      I’d thought that Disney, from the days of its “Renaissance”, starting with “The Little Mermaid”, had permanently overcome its extreme cute and sweet movie-making addiction that began in the late 50’s and continued up to the late 80’s. But I was wrong: Disney, sadly, has relapsed and “Raya and the Last Dragon” is proof. (This movie, according to its Wikipedia article, was also the third most streamed online movie of 2021, which I’m sure says something revealing about this world of ours, but I can’t put my finger on precisely what this might be.)

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    • #2459018

      one I can wholeheartedly recommend to anyone between 10 and 110 that wishes to spent some two hours of great animation movie watching.

      +1

    • #2459154

      Well, the patiently waited by fans (and by YT) and so far hugely postponed 4th Season (“Earth”) of “The Dragon Prince” is, or it seems to be, at least now and more than before, on its way to stream from Netflix “later this year.”
      “Later this year” has been a refrain since after Season 3 was released in November of 2019, the series then going into an indefinite hiatus because of Covid-19 restrictions on large animation work, while also being renewed at Netflix for another, so far unseen, four seasons. But now there is some visible evidence, described below, that this new season premiere might be actually going to happen and perhaps really “later this year.”

      https://en.wikipedia.org/wiki/The_Dragon_Prince

      The Dragon Prince: Mystery of Aaravos” (*) returns later this year on Netflix:

      https://www.imdb.com/news/ni63654936

      The evidence, such as it is: a “full trailer” (a.k.a known as “the teaser”, because it lasts just over one minute) of Season 4 is here:

      https://www.slashfilm.com/889910/the-dragon-prince-season-4-trailer-the-incredible-fantasy-series-tv-series-finally-returns/

      Excerpts:

      While the search [for a great epic fantasy show to stream] has focused on live-action, the unfortunate and still very wrong assumption that animation is somehow a “lesser” medium meant for kids has made people miss out on the best fantasy TV show currently on TV — “The Dragon Prince.” The spiritual successor to “Avatar: The Last Airbender” is an epic tale of political intrigue, romance, adventure, action, and magic set in a fleshed-out world with a vast mythology.

      ….

      Last season ended on a rather conclusive note, with the villain defeated, the dragons reunited, a seemingly peaceful truce between both sides of the war, and a new crowned king. While this first trailer is rather thin on plot details, it does seem to tease the focus of this next season. 

      After all, Netflix is describing it as “the start of the next phase of ‘The Dragon Prince’ saga,” meaning we’re likely to see a sort of reset button being hit while the new status quo is established. That being said, the focus on the mysterious villain Aaravos, who gives the season its title, is rather intriguing since we know extremely little about it. The other tease in the trailer is that Aaravos continues to hold a tight grip on Viren, the dark mage, and his purpose will presumably be revealed this season. Last we saw Aaravos, he was in a cocoon, metamorphosing into a new form. What will that be? We’ll find out soon enough.

      The Dragon Prince: Mystery of Aaravos” returns later this year on Netflix. ”

      (*) This season’s name is confusing: my guess is that one of the six “primal” magical elements in this series’ universe that each of the show’s seasons was supposed to be named after, beginning with “Moon” in Season 1 and followed by “Sky” in season 2 and “Sun” in  season 3, now is going to be … well: “Earth” — and this seasons’ full name — but the series itself, now entering a new phase, is subtitled from now on: “The Mystery of Aaravos.”

      ‘Aaravos’ is the name of a “Startouch” Elf, and a powerful villain at that, who since being seen inside a big cocoon at the very end of Season 3, has surely undergone by now an as yet mysterious metamorphosis.

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    • #2460116

      The Bob’s Burgers Movie

      “The story begins when a ruptured water main creates an enormous sinkhole right in front of Bob’s Burgers, blocking the entrance indefinitely and ruining the Belchers’ plans for a successful summer. While Bob and Linda struggle to keep the business afloat, the kids try to solve a mystery that could save their family’s restaurant. As the dangers mount, these underdogs help each other find hope and fight to get back behind the counter, where they belong.”

    • #2460817
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    • #2461081

      I am a fan of Kung Fu Panda, so this, to me at least, is welcome news.

      https://www.imdb.com/title/tt18783984/

      https://www.imdb.com/video/vi2815869465/?ref_=tt_vi_i_1

      More about this new series, perhaps one more to add to the eleven animation Netflix series (it either owns or have been in Netflix for quite a while by now) that I consider worth watching without reservations.

      I really hope it is one of these.

      The other eleven series are, in no particular order:

      Dragons, Race to de Edge.

      The three “Arcadia” ones by Guillermo del Toro.

      She-Ra and the Princesses of Power.

      The Last Airbender.

      The Legend of Korra.

      The Dragon Prince.

      The Dark Cristal: Age of Rebellion.

      Carmen Sandiego (latest version).

      Shaun the Sheep.

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      • #2461651

        Do add Violet Evergarden to that list. It’s only been mentioned briefly in this thread, but it’s truly excellent and very moving. I wish that they would release a translation of the novels.

        I assume that Cowboy Bebop (the animation, we don’t talk of the live action series) is available globally on Netflix too.

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        • #2461704

          Sky: This 13 episodes Japanese anime series in Netflix you mentioned is, as I just found out, a fantasy, or perhaps an allegory, on the topic of war and its painful consequences to those that survive it, consequences that for many last for as long as they live. If so, and if well done, it can be invaluable:

          https://en.wikipedia.org/wiki/Violet_Evergarden

          https://www.imdb.com/video/vi3603741721/?ref_=vp_rv_ap_0

          I’ll have look and find out.

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          • #2461847

            I do recommend it. It is a one of the best animations I’ve watched in years. I’m not sure why I didn’t mention it in this thread earlier. It is a fantasy and is partly about the aftereffects of war, but also it’s about communication and how to convey what is in one’s heart to another person. Violet helps people to do this and learns how to do it herself by helping others. I’m not ashamed to say that it made me tear up on several occasions.

            If you’re going to watch it, the watching order is as follows:

            1. Violet Evergarden (13 episodes)
            2. Violet Evergarden Special
            3. Violet Evergarden: Eternity and the Auto Memory Doll
            4. Violet Evergarden The Movie
    • #2461863

      Sky, Have you, perhaps, read “Klara and the Sun” by Kazuo Ishiguro? (*)

      Violet’s resembling, or maybe real autistic inability to understand others’ emotions, but driven by a keen desire to become good at it, to be able to do her job well and also solve a possibly defining mystery in her own life, reminds me of Klara, a woman-looking machine with a true AI for a mind and solar powered, who believes the Sun is a good, helpful and gentle being, that is also keen on learning about human feelings, to do better what has been built for: to help sick children, her buyer’s young daughter in her case, with the daily needs and also get better, and even thrive as much as possible, until the child in her care becomes of age and Klara is “retired” to a nice junkyard where, in her slow decline, she works at putting together her memories, that are also the novel. (By the way, that one and Kim Stanley Robinson’s “The Ministry for the Future”, are two recent science fiction novels, very different from each other, that are the best that I have read in a long, long time.)

      (*) The 2017 Nobel Prize of Literature.

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      • #2461995

        I’m afraid that I haven’t. My only acquaintance with Kazuo Ishiguro is The Remains of the Day.

        • #2462106

          Sky, Ishiguro also wrote another science-fiction novel: “Never Let Me Go”, “Now a major motion picture”, as in publisher’s book covers PR.

          https://en.wikipedia.org/wiki/Never_Let_Me_Go_(novel)

          As in “The Remains of the Day”, the story is about confronting, in this case, not a past but a future painful and ineluctable reality and, even so, moving on.

          It has been made into a TV show in Japan, that can be streamed from Hulu. And Disney is making a series based on this novel that will be streaming from Disney TV + from a date as yet not announced. Unclear to me at this time whether it will be animation or live action.

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    • #2462798

      I finished watching the 13-episode series “Violet Evergarden”, a remarkable Japanese anime created by two women: the script by Kana Akatsuki, illustrated by Akiko Takase, who with a team of animators gorgeously drawn and colored it. Also with an excellent English dubbing, it can be streamed from Netflix, who partnered with Kyoto Animation in the making of this 1918 series, so it is partly Netflix’s own and therefore not likely to become unavailable any time soon.

      For my part, I am still trying to figure out how much I liked it and why. Not there yet.

      On the one hand, I felt there were too many tears; also the music was sometimes too loud and made it hard for me to follow what the characters were saying. On the other hand, I found myself interested and empathizing with the characters, which is as it should be in a good play, movie or streaming show.

      The quality of the episodes, at this first viewing, impressed me as variable, some actual small masterpieces, for example episode 5, the one with Violet and the unhappy Princess. Others, less so. None actually bad, some just less than breathtaking.

      This is both a personal growth story and a war story. It works well in both senses. But even so, I was left somewhat dissatisfied with the war part, as it could not be quite realistic enough, because — both as an old conscript soldier and as someone who hates war with all his heart — I prefer war movies to be so harshly realistic as to move people to hate the very idea of war. Not possible here, given the necessary but unrealistic premise that Violet was a kind of Angel of Death as a combat fighter.

      So this is my impression after seeing this complex animated show for the first time. I’ll chew on this some more and, one day, not too far in the future, expect to watch it again, as it is one that deserves a second viewing, and maybe a third — and perhaps even a fourth.

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      • #2463819

        If you didn’t watch them, don’t forget the specials and the movie, as I mentioned in a previous post, as they provide the conclusion to the story.

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    • #2464064

      @oscarcp. Did you subscribe to Cruncyroll (large Anime, Manga library) ?

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      • #2464174

        Alex, I don’t subscribe, but I know about “Crunchyroll.” It is an anime streaming site with a very large catalog of videos available that, same as other big streaming online sites, also makes some of its own movies. It was started by a group of anime enthusiasts in Berkeley, USA, but now it is internationally available.

        So thanks for mentioning it here, as I should had done so long ago, but quite forgot.

        Now: It may seem strange, perhaps, but I am not interested in manga or anime per se. I watch some anime show or movie as I do any other form of animation, tentatively and usually after it has been through a narrow filter: either watching a work out of curiosity and really liking it (“Princess Mononoke” is a good example, as I watched on TV the fantastic and very dramatic last part of it one night, in 2006, in my hotel room in Tokyo’s Ginza district, and caught the Miyazaki/Ghibli bug for ever), or seeing that a work has received very favorable and clearly knowledgeable commentary (e.g. from Roger Ebert, back in the day), or is recommended to me by someone whose opinions on this matter I respect, or else based on who the movie or the show creators are.

        As to manga, that is tricky, as some of the greatest works of Japanese animation started as manga. So I have read a few of those after seeing the movies derived from them, early Miyazaki’s “Nausicaa of the Valley of the Wind” being a good example of this.

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    • #2464249

      I jut finished watching the full-length movie that continues and completes Violet Evergarden’s story. I will comment on this work at another time.

      I was so delighted with the artwork of both series and movie that wanted to learn more about Akiko Takase, who was responsible for the remarkably beautiful, elegant and imaginative images.

      What I have found is both shocking and also as painful as much of what happens in the series and in the spinoffs she worked on

      Virtually exactly three years ago, in the morning of July 18, 2019, just after she had finished her work in an spinoff of the series, 36 people were killed and another 34 seriously injured in an arson attack on Kyoto Animation Studios, a leading Japanese anime company where she was one of the principal artists. Most of the equipment, records and some of the films were destroyed and the building itself left structurally unsound and was demolished later on. The films left intact were stored in digital form in a server that was not affected by the fire.

      https://en.wikipedia.org/wiki/Kyoto_Animation_arson_attack

      https://www.japantimes.co.jp/news/2022/07/18/national/kyoto-animation-memorial-arson/

      Takase left the studio some time after the arson and it is not clear what is she doing now.

      There is this I found in a Tweet, for what it’s worth:

      Akiko Takase was heartbroken by the KyoAni [Kyoto Animation Studios] arson attack and left the studio & industry altogether – she didn’t draw any of the new Violet Evergarden illustrations and never worked elsewhere either. Super happy to see her working with KyoAni again for their first in-house novel

      The perpetrator of the attack, who had no connection with the studio, brought into the building a 11-gallon can of gasoline to start the fire. He was also a victim of the fire; once he had recovered enough in hospital, was formally arrested.

      A year later the Studio restarted work with a smaller staff, missing some key personnel that were either dead, incapacitated, or had left; then the pandemic delayed the full restart of work. Eventually and gradually, the Studio has resumed production of its latest anime films.

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2464459

      I finished watching the three main parts of the “Violet Evergarden” story: the 13-episode series by that name, plus one extra episode that was added later and would belong somewhere around the middle of this series; the movie by the same name; and a second movie called “Eternity and the Auto Memory Doll”.

      The “Eternity” etc. title might be baffling, at least it is to me, but is also that of the one of the three components of the Violet Evergarden story that I liked best. In fact, I think is worthy of being compared with Ghibli movies such as “Whisper of the Heart” and even to “Kiki’s Delivery Service.” And that is saying a lot already.

      The quality of the animation is very high in all three parts. What probably helped me like “Eternity” best is that the story is one, with a single arc from beginning to end, so the action concentrates on that one and the effect is enhanced by it. Also, there is less crying and more laughing, enthusiasm and joy than in the other two. So more of my kind of movie.

      Still, one has to see a least the “Violet Evergarden” series or the movie of the same name to understand the context of the story that here is largely omitted, being assumed to be known already by the audience.

      Debutants’ Ball at an all-girls school, and a high point in the movie:

      Practice.ball_.at_.a.girl_.school

      So that sums up my commentary on the complete “Violet Evergarden” anime work, all of which can be streamed from Netflix. Now to something else:

      The Sea Beast

      https://www.rottentomatoes.com/m/the_sea_beast

      Excerpt of the RT description:

      In an era when terrifying beasts roamed the seas, monster hunters were celebrated heroes — and none were more beloved than the great Jacob Holland. But when young Maisie Brumble stows away on his fabled ship, he’s saddled with an unexpected ally. Together they embark on an epic journey into uncharted waters and make history. From Academy Award winning filmmaker Chris Williams (Moana, Big Hero Six, Bolt), The Sea Beast takes us to where the map ends, and the true adventure begins.

      This movie can also be streamed from Netflix.

       

      The-Sea-Beast

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      Sky
    • #2464745

      “Live a great life and die a great death!”

      Now I have seen Netflix’s animation movie “The Sea Beast”, where the above is said several times by different characters that truly mean it.
      That one may be so lucky!

      And this what I have to say about this movie:

      Wow!

      And this too:

      “This is one of the best movies that I have seen in a long time.”

      Adding next:

      This is an animated movie that pulls you in and does not let you go.

      It has probably the best recreation of action at sea in the Age of Sail I’ve have ever seen or hope to see: I can’t avoid feeling that this is what must have been on a sailing warship with a well-trained, highly motivated and disciplined crew when engaged in battle — or, in this case, while hunting some fantastic and lethally dangerous sea monsters with their own intent and also a Royal mandate to rid the seas from them. The makers of this movie must have made a truly meticulous research on these old ships and their crews and how everything was used for a definite purpose and how everybody worked as one.

      A mix of fairy tale and Moby Dick, with an unbending captain determined to find and kill a huge sea creature that had taken one of his eyes, to avenge himself on it and also to follow and honor his family’s tradition with a long series of brave and successful sea captains of monster-hunting ships that came before him.

      With extraordinarily beautiful and detailed artwork, excellent music and voice-acting.

      And a leading character both charming, smart, courageous and as believable as improbable, that shall be hard to forget.

      Quite a treat and, to me, the more so for being, so surprisingly good.

      If you watch this movie, may you enjoy it as much as I have.

      For another opinion:

      https://www.rogerebert.com/reviews/the-sea-beast-movie-review-2022

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    • #2465146

      After two and a half years since Season 3 ended, “The Dragon Prince” Season 4, called “Earth”, with the whole show now subtitled “The Mystery of Aaravos”, has finally been announced that will be in Netflix sometime in November. That should be the end of three whole years when it has been, as far as its remarkably patient fans are concerned, in suspended animation.

      The action begins two years after the end of Season 3, with the characters two years older and Rayla gone away on some secret mission, with none of the others knowing where she is or what she is actually doing.
      The announcement does not say if she is coming back or not.
      Most like she’ll show up soon enough, if not in the first episode, then soon after, because if she is not going to be back, the moment this becomes obvious the show will lose 3/4 of its audience.

      Details here:

      https://www.forbes.com/sites/erikkain/2022/07/22/everything-you-need-to-know-about-the-dragon-prince-season-4-time-jump-new-clip-release-date-and-more/?sh=4e5dfb2b4bd8

      Excerpt:

      There’s not an exact release date yet for Season 4 of The Dragon Prince but we do know that it’s coming to Netflix this November.

       

      Is this the new opening of each episode’s introduction?

      Mystery.of_.Aaravos.opening.sequence

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    • #2465205

      I Am Groot

      A series of 5 shorts featuring the seedling Groot along with several new and unusual characters. Disney+ August 10, 2022

      https://www.imdb.com/title/tt13623148

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    • #2466098

      The Swan Princess on Amazon Prime

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    • #2466723

      I have been having some strange, annoying problem logging in to HBOmax, that have taken me a good part of two days to get fixed, or more precisely to find a way around this problem. Now that I can log in once more, and since the main reason that moved me, originally, to subscribe to HBO was that Netflix got the exclusive right to stream all Ghibli movies world-wide, except in the USA, where they are exclusive to HBO, tonight I decided to watch those movies again, now that I can do so once more, beginning from the very beginning (*). So I just watched, again for maybe the fifth time by now, the first one being around 2008, “Nausicaä of the Valley of the Wind”, a movie the started its creator Hayao Miyazaki’s towering reputation among animation movie makers and watchers not just in Japan, but world-wide:

      https://en.wikipedia.org/wiki/Nausica%C3%A4_of_the_Valley_of_the_Wind_(film)

      It is a tale of high adventure (literally, as much of it happens in flying machines), heroic resolve and environmentalism, with a dire warning not to mess around with Nature. And beautiful to look at as well, so a pleasure to watch.

      (*) This movie and a previous one by Miyazaki called “The Castle of Cagliostro”, preceded the setting up of Studio Ghibli, where all the other Miyazaki movies have been made. The great success of “Nausicaä” was what made Studio Ghibli possible. While “Cagliostro” is still in Netflix, Nausicaä, as noted above, is in HBOmax.

      Princess Nausicaä tempting death to make peace and save her valley:

      Nausicaä.death-defiant.gesture

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    • #2468955

      I Am Groot aired on Disney+

      1 user thanked author for this post.
    • #2471165

      shaun.the_.sheep_.now_.a.NASA_.astronaut-1

      Shaun the Sheep’s small step for a sheep:

      https://www.bbc.com/news/uk-england-bristol-62574580

      Excerpt:

      Shaun the Sheep has been assigned a seat on the NASA spacecraft which will be heading on a mission to the Moon.

      Animators Aardman has announced that the famous stop-motion TV character will be aboard the unmanned Artemis I mission.

      The flight will kick off the Artemis program which will eventually return astronauts to the surface of the Moon.

      The mission will see the toy Shaun fly almost 311,000 miles (500,000 km) from Earth.

      The first flight of NASA’s Orion spacecraft will not be carrying a crew but will be controlled from the ground.

      The spacecraft will carry a range of mementos with cultural significance.

       

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      Sky
    • #2472939

      Here is a shout-out for one of Disney’s less Disney of movies: without a princess or a cute animal. There is a young girl’s pet that also happens to be an extraterrestrial synthetic life-form created by a probably mad scientist in another world to be an ultimate weapon of war (against all evidence, she thinks it’s a puppy dog), so it is not exactly cute, or a proper animal. Just interesting.

      And yet, and yet: this (for Disney) low-budget movie is one of the best, most original and likeable comedies about young family life in animation form. No kidding. In its time, it was a road sign at the beginning of the Disney Renaissance, marking the way not to follow: the corny way that had been a characteristic of many of Disney’s films for a long time. Any other way, including the one blazed by this movie, had to be an improvement.

      It is about the troubles and joys of some ordinary young people in Hawaii: the girl, her big sister that takes care of her after the death of both their parents in a car accident, and her sister’s boyfriend, trying to get by, cherishing aspects of their traditional way of life, while fitting as best they can in the 21st Century.

      With aliens.

      It is, you might have guessed already: “Lilo and Stitch.”

      https://en.wikipedia.org/wiki/Lilo_%26_Stitch

      (Streaming in in Disney+)

      Surfing a barrel:

      Lilo.Nina_.and_.stitch.surfing.a.tube_

      All’s well that ends well:

      Big.birthday.cake_

      Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2472997

      Set to premiere on Jan 1, 2023                                                                                                                  An animated adaptation of the hit 1980s sitcom “Married… with Children”.

      Can’t wait for it, should be good.

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    • #2474503

      The Owl House

      An animated fantasy-comedy series that follows Luz, a self-assured teenage girl who accidentally stumbles upon a portal to a magical world where she befriends a rebellious witch, Eda, and an adorably tiny warrior, King. Despite not having magical abilities, Luz pursues her dream of becoming a witch by serving as Eda’s apprentice at the Owl House and ultimately finds a new family in an unlikely setting.

      2 seasons 43 episodes. 3rd season ?

      Disney Channel

      YouTube

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    • #2478567

      Drifting Home

      One fateful summer, a group of elementary school kids set adrift on an abandoned apartment building must look within themselves to find a way back home.

      1 user thanked author for this post.
      • #2478658

        The pictures look gorgeous and everyone commenting about it seems to agree they are. The disagreement comes when considering the plot. So one just have to watch and make up one’s mind all by oneself.

        Thumbs down:

        https://www.rogerebert.com/reviews/drifting-home-movie-review-2022

        Thumbs up:

        https://moviesr.net/p-drifting-home-netflix-movie-review-a-beautiful-experience

        Well, at least according to rogerebert.com, it does not have children crucifixions, like some other anime they could name. Whew!

        Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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        • #2478971

          Just saw “Drifting Home”, by accident: I went to watch in Netflix a short episode of an old favorite of mine that always cheers me up: “Carmen Sandiego”: beautiful to look at, with really clever plots and wicked fast and witty dialog. If “just a kid’s show”, then it was meant to be watched by some really, really intelligent and mature kids.

          But I was surprised to find “Drifting Home” being “offered” as soon as I logged in and before I got to “My List.” So I started watching it, just for a few minutes, to get some idea of what this movie is like. And first I was intrigued and then, just like that, I was hooked! And couldn’t help it but to watch the whole two hours.

          It is a surreal fantasy, it plays out with the logic of dreams. In parts it seems real, but not for long. I’ve found it strangely fascinating: sometimes charming, some times dramatic, some times dark and sometimes scary.

          So these are my two cents: this is a good movie, a fine movie, worth watching.

          The director’s name, Hiroyasu Ishida, is one to keep in mind. If this is only his second movie, I wonder what his twelfth one will be like.

          So now you know.

          Ex-Windows user (Win. 98, XP, 7); since mid-2017 using also macOS. Presently on Monterey 12.15 & sometimes running also Linux (Mint).

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    • #2478694

      Prima Doll

      Synopsis
      Black Cat Cafe is located in the fifth ward of the Imperial Capital. Having lost their purpose after the war ended a few years prior, advanced mechanical dolls known as Automata have been restored and now work at the cafe wearing elegant kimonos. While they adjust to the peaceful world, events of the past continue to haunt the Automata, preventing them from letting go of the responsibility they once held.

      Among the Automata working at Black Cat Cafe is the recently restored Haizakura, who has lost her memories during a reset. Her identity and role in this unfamiliar world are a mystery to her, but one thing is certain—she loves to sing. With never-ending curiosity and beautiful songs to guide them, Haizakura and the Automata search for their new purpose together, supporting each other no matter how rigorous that endeavor might be.

      [Written by MAL Rewrite]

      Prima Doll is an anime adaptation that is a part of the multimedia project of the same name by Key and Visual Arts. The series was released on Blu-ray in six volumes from October 28, 2022 to March 29, 2023.

      https://www.youtube.com/watch?v=hzgxiK_pf1s

      • #2478846

        “Prima Doll” can be watched only by subscribing to an streaming outfit called HIDIVE at 4.99 a month.

        This is the trailer:

        https://www.youtube.com/watch?v=ZXOUtMapuZc

        One can get it with subtitles as well.

        So it is high-end anime with an intriguing story of a kind not unusual in science fiction: a military killing machine that is repurposed to be useful in peace time. “Violet Evergarden” somehow comes to mind.

        Then there is this other high-end animation series, from the USA, called “Pantheon” that seems to be about high-school smartphone bulling — and then things turn weird.

        It is based on three connected short stories by noted US science fiction writer Ken Liu (The paper Menagerie, etc.)

        One can make up one’s mind by watching the whole first episode for free here:

        https://www.youtube.com/watch?v=9rht4XTs2Sw

        https://en.wikipedia.org/wiki/Pantheon_(TV_series)

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    • #2482230

      Lost Ollie (Netflix)

      “A live-action family series that tells the tale of a lost toy searching across the countryside for the boy who lost him and the story of the boy who lost more than a best friend.”

    • #2483174

      Rick and Morty (2013).
      Now on season 6.

      “Follows the misadventures of an alcoholic scientist Rick and his overly nervous grandson Morty, who split their time between domestic family life and intergalactic travel. Often finding themselves in a heap of trouble that more often than not is created through their own actions.”

    • #2487524

      2022 “It’s the Great Pumpkin, Charlie Brown” will air on Apple tv+ (no PBS this year) for free from October 28 through 31 .

    • #2511341

      Movie : Roald Dahl’s Matilda the Musical on Netflix 25/12/2022

    • #2514156

      Puss in Boots: The Last Wish

      “Puss in Boots discovers that his passion for adventure has taken its toll: he has burned through eight of his nine lives. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives.”

    • #2523299

      Not Animation.

      Timmy Failure: Mistakes Were Made 2020 Disney+

      “An 11-year-old boy who believes that he is the best detective in town runs the agency Total Failures with his best friend, an imaginary 1,500-pound polar bear”

    • #2557861

      New Genndy Tartakovsky’s (Samurai Jack..) Unicorn: Warriors Eternal

      “Emma’s wedding day takes a drastic turn when she is awakened by a powerful sorceress, setting off a transformation that leaves her life forever changed. Watch new episodes of Unicorn: Warriors Eternal every Thursday at midnight. Replays Fridays at 7pm and Saturday at midnight. Next day HBO Max.”

    • #2581734
    • #2603856
      1 user thanked author for this post.
      Sky
    • #2614486

      I’m trying to find a full length feature film I believe it is Japanese anime circa early to mid 1960s. The film had a very long title something like: The Incredibly Amazing Adventures of, and then the name of the main character I can’t recall. It was a learning or teaching kind of adventure story. I can’t remember what the main character was searching for, who was, I believe depicted as a young koala I think. The only scene I can remember in the movie was this main character the koala, Was placed in a single cell jail for a period of time, and the passage of time was depicted as the pages of this calendar blowing away one at a time. do you or anyone have any idea what the title of this feature film might be?

    • #2615326

      Disney’s Once Upon a Studio | Full Short Film

      “About “Once Upon a Studio”
      An all-star ensemble of beloved characters from Walt Disney Animation Studios come together in “Once Upon a Studio” for a joyful, entertaining and emotional reunion as they assemble for a spectacular group photo to mark Disney’s 100th anniversary. Featuring 543 Disney characters from more than 85 feature-length and short films, “Once Upon a Studio” welcomes heroes and villains, princes and princesses, sidekicks and sorcerers—in all-new hand-drawn and CG animation—to celebrate 10 decades of storytelling, artistry and technological achievements. Directed by Dan Abraham and Trent Correy and produced by Yvett Merino and Bradford Simonsen. Characters from these shorts and more can be seen on Disney+.”

    • #2643790

      Robot Dreams 2023

      “DOG lives in Manhattan and he’s tired of being alone. One day he decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?”

    • #2698952

      The Peasants (Polish : Chlopi)

      Highly rated on IMDB

      Hand Drawn Animation.

      “Jagna is a young woman determined to forge her own path in a late 19th century Polish village – a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful traditions and deep-rooted patriarchy.”

      “All scenes were shot on camera and then painted. This film is made up of 80,000 paintings. The painting job took 1350 litres/300 gallons of paint.”

      https://en.wikipedia.org/wiki/The_Peasants_(2023_film)

      Chlopi-1

      chlopi2

    • #2699290
    • #2702190

      Arcane season 2 back on November 2024 (Netflix)

    • #2714943

      Arcane: Season 2 (Netflix, Nov. 9, 16, and 23)

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